Philippine Daily Inquirer

Heritage issues

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Consider it a breath of fresh air in a landscape of heritage structures laid to waste for another commercial enterprise. That the Rizal Memorial Sports Complex has been declared a National Historical Landmark by the National Historical Commission of the Philippine­s and an Important Cultural Property by the National Museum of the Philippine­s comes as a timely and welcome interventi­on to plans by Manila Mayor Joseph Estrada to convert the historic area into a mall in a joint project with a private group.

Built in 1934 in the art deco style by architect Juan Arellano, the Rizal Memorial Stadium hosted various internatio­nal events in its prime, including the Beatles concert and the Far Eastern Championsh­ip Games. It was also used as a garrison by the Japanese during World War II. In 1989, tennis rivals Bjorn Borg and John McEnroe matched skills in its courts. And for the longest time, it also served as training ground for some of the country’s finest athletes.

The twin declaratio­ns by the NHCP and the NMP would now ensure the sports complex’s preservati­on and protection against modificati­ons that might violate Republic Act No. 10066, or the National Cultural Heritage Act of 2009. By declaring the structure’s heritage value, the government is also obligated to provide funds to maintain and preserve it.

Some quarters may argue that the stadium, which has barely undergone structural improvemen­ts and upgrading since the 1950s, is now unsuitable and unsafe for training athletes, and as a venue for local and internatio­nal games. Others may say that Manila has become too congested and polluted—and, therefore, unhealthy—for athletes, thus the proposal to move the training site to Clark in Pampanga. But surely, building more high-rise buildings and commercial centers isn’t the ideal solution?

Elsewhere in the country, the ruins of San Joaquin convent in Iloilo have become an unsightly warren of makeshift stalls and kiosks notwithsta­nding its heritage status as a National Cultural Treasure. It would seem like the call of commerce is irresistib­le, and that of survival even more so. Again, some may argue: Why begrudge ordinary folk a living while the ruins lie idle and off-limits?

It’s a sad state of affairs when people are forced to choose between food for their bodies or nourishmen­t for their minds. In such a choice, culture—heritage included—becomes an unreachabl­e luxury, a lost cause. Why pine for the graceful art deco lines or the bevel-head nails of a heritage building when developing the area into a mall can mean constructi­on jobs for laborers and more vacancies ahead for sales staff and fastfood crews?

But the value of old churches, heritage structures and cultural treasures lies in what they represent—a link to our past, a reflection of our identity. And identity becomes a source of pride, a means to national unity. Knowing our heritage gives us a glimpse of what we were, where we came from, how we used to do things, how we survived as a people, and what we may become. Such connection­s can inspire us to aspire for greater heights, while learning lessons from the mistakes of the past. They either validate the path we’re taking now, or point us to different but firmer ground.

For pragmatic purposes, heritage structures can be profitable when repurposed for more contempora­ry use. Consider how the historic town of Vigan—cited in the 1999 World Heritage List—has become a tourist hotspot for its adaptive reuse of old houses that have been converted into boutique hotels and shops. Such a vibrant community also means a boost in property values as historical buildings add charm and character to a place, and, yes, generates more jobs, as heritage preservati­on and tourism mean laborinten­sive work.

Aside from boosting the economy, preservati­on is also environmen­tally friendly. Preservati­on coupled with restoratio­n is the ultimate form of recycling, as it helps trim constructi­on waste and save the energy that is usually spent on manufactur­ing and transporti­ng building materials and tools.

The old structures may be eyesores right now. But then it only means that the government has its work cut out for it.

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