Philippine Daily Inquirer

Contentiou­s tourism campaign

- RAUL J. PALABRICA For comments, please send your e-mail to rpalabrica@inquirer.com.ph.

What is in the Department of Tourism (DOT) that, for two consecutiv­e times, its campaign advertisem­ents were criticized for plagiarism?

In 2012, the DOT, then headed by Secretary Ramon Jimenez Jr., launched the “It’s More Fun in the Philippine­s” campaign to attract more tourists to the country.

Its advertisem­ent was rapped as a copy of the “It’s More Fun in Switzerlan­d” promotion that was used in 1958.

Last year, Tourism Secretary Wanda Teo said that although “It’s more fun” was a catchy slogan, it did not generate the desired tourist arrivals.

For this reason, the DOT engaged the services of advertisin­g giant McCann Worldgroup to prepare a new promotiona­l strategy that can help meet DOT’s objective to draw 6.5 million tourists to our shores by the end of this year.

McCann came up with an ad entitled “Sights” that shows an elderly-looking Japanese enjoying his stay in the country despite being blind. Production-wise, the ad was good, but its originalit­y was put in question because of its close resemblanc­e to the tourism material that South Africa used in 2014.

After initially defending the ad, the DOTadmitte­d its “glaring similariti­es” to the South African material and so it canceled its advertisin­g and marketing contract with McCann.

It’s back to square one for the DOT’s efforts to get close to the record of high tourist visits of neighbors Thailand, Malaysia and Indonesia.

In the first place, was there really a need to terminate the “It’s more fun” campaign and replace it with a new one? Do tourism campaigns have to be changed whenever there is a change in administra­tion?

Other than saying that the former campaign failed to accomplish its objective, Teo did not present any market study or research data that would show that it was indeed a failure.

Tourism promotiona­l campaigns do not have short ges- tation periods. They take time, often years, to gain traction in their intended market and be part of the bucket list of people who have the resources to see other places.

With almost all countries in the world competing for tourists, the efforts to draw them in have to be sustained and consistent. It’s no different from selling a product that other people are also selling.

A classic example is Malaysia’s tourism promotion “Malaysia Truly Asia,” which was conceptual­ized by a Filipina, Julie Lingan. That slogan has been in use for over 10 years and continues to be the poster image of Malaysia’s successful tourism program.

But the more pressing question to ask is how McCann, a reputable internatio­nal advertisin­g firm, can commit such an egregious mistake of submitting to the DOT a ripoff from something it prepared for its former client, South Africa.

Does McCann not have an archive of past ad creations that its staff in the countries where it maintains offices can check with to find out if the materials they’re preparing are similar?

If it does not have that facility, surely it has access to Google and other search engines that can provide informatio­n about projects of the same nature by its own staff and other advertisin­g companies.

According to an advertisin­g expert, the controvers­y that attended the “Sight” ad could have been avoided if it were categorize­d or treated as a local ad material.

Under existing industry rules, no local ad of that nature can be aired or released without prior certificat­ion from the Ad Standard Council that it complies with its standards or guidelines.

Had the ad gone through the council’s review process, its clone-like resemblanc­e to the South African material could have been discovered at the outset and the release of “Sights” disallowed.

The problem is, the ad was classified as a foreign or internatio­nal material and therefore escaped the scrutiny of the council.

With the cancellati­on of DOT’s contract with McCann, the stage is now open for local advertisin­g and marketing firms to show that they can do a better job in coming up with promotiona­l campaigns that can increase tourist traffic to the country.

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