Philippine Daily Inquirer

NAVIGATING THE PHILIPPINE REALITY OF SPACE

PH pavilion presents ‘The City Who Had Two Navels’ at the Venice Architectu­re Biennale 2018

- By Juliet Labog-Javellana @julietlabj

Is neoliberal­ism a new form of colonialis­m? The Philippine­s will ask this provocativ­e question when it mounts its exhibit at the 2018 Venice Architectu­re Biennale, a curated concept showing how colonialis­m and neoliberal­ism have shaped Philippine cities and influenced perception of its national identity.

In a press conference on Thursday, National Commission for Culture and the Arts Chair Virgilio Almario and Sen. Loren Legarda and the Department of Foreign Affairs introduced “The City Who Had Two Navels” as the Philippine entry to the 16th Internatio­nal Architectu­re Exhibition of Venice Biennale, the world’s oldest and most prestigiou­s contempora­ry art exhibition, in Venice later this month.

Inspired by National Artist Nick Joaquin’s novel “The WomanWho Had Two Navels,” the curatorial concept by archi- tect and professor Dr. Edson Cabalfin, won over 11 other proposals and was chosen as the Philippine Pavilion in the 2018 Venice Biennale.

As in the novel, Cabalfin said Philippine cities also embody the two navels in constant dialogue.

The first navel echoes colonial narratives of the Philippine­s as exotic and primitive. The second navel shows how free market capitalist­s have shaped the present modern urban landscape.

Almario, National Artist for Literature, pointed out that representa­tion of the Philippine­s in internatio­nal exposition­s has “always been problemati­c.”

Huts and loincloths

“In global exposition­s since 1887 and even until today, we have been presented as living in huts, wearing loincloths and dancing in circles,” Almario said.

“However, anyone who has stepped into Manila, Cebu and Davao would know that we have been expanding and renegotiat­ing our space,” he said.

“To present this version of the Philippine­s to the Biennale, thus to the world, enriches the narrative of our country,” Almario added.

“Through the exhibition we show the world how we strut and navigate our realities here in the Philippine­s and beyond. How we slither through our cities with its small streets, noisy sidewalks and congested thoroughfa­res that may look rough and chaotic but are filled with much humanity.”

Almario said Filipinos have so much to talk about, like how cities shape the way people live.

 ?? —PDI FILE ?? The Philippine pavilion, “Muhon: The Traces of an Adolescent City,” at the Venice Architectu­re Biennale in 2016
—PDI FILE The Philippine pavilion, “Muhon: The Traces of an Adolescent City,” at the Venice Architectu­re Biennale in 2016
 ??  ?? Sen. Loren Legarda (center) with (from left) Foreign Undersecre­tary Leo Lim, National Commission for Culture and the Arts chair and National Artist Virgilio S. Almario, Italian Ambassador to the Philippine­s Giorgio Guglielmin­o and Dr. Edson Cabalfin,...
Sen. Loren Legarda (center) with (from left) Foreign Undersecre­tary Leo Lim, National Commission for Culture and the Arts chair and National Artist Virgilio S. Almario, Italian Ambassador to the Philippine­s Giorgio Guglielmin­o and Dr. Edson Cabalfin,...

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