Philippine Daily Inquirer

20 composers from 10 countries reach semis of Banaue internatio­nal music tilt

Music competitio­n aims to raise awareness on the need to restore and conserve the Philippine rice terraces, which are in danger of being delisted from Unesco World Heritage List

- By Antonio C. Hila

Twenty composers out of the 84 from all over the world who joined the Banaue Internatio­nal Music Compositio­n Competitio­n (BIMCC) were chosen as semifinali­sts and presented in a press conference recently at the Rigodon Ballroom of the Peninsula Manila.

Semifinali­sts come from 10 countries, including the Philippine­s. They are:

Christian Joshua Ansale (Philippine­s) “Tugtugin para sa mga supling ng pinagsapin-saping Lupa”; Bracha Bdil (Israel) “Water Steps”; Theodoros Broutzakis (Greece), “Symphonic Suite, Archipelag­os”; Jan Neland Cabuguas (Philippine­s) “Beyond the Mountains;” Jimuel Dave Dagta (Philippine­s) “Pagpapanum­balik”; Caterina di Cecca (Italy) “From Wonder into Wonder: Green Steps to the Sky”; Avner Finberg (Israel) “Pugaw”; Leon Firšt (Slovenia) “The Story of Ifugao”; Stefano Giannotti (Italy) “The Ifugao Cloud”; Eteri Kourbanov (Israel) “Hymn to Nature”; Jin Jun Lee (Singapore) “Terraces”; Michele Masin (Italy) “Symphonic Poem: The Rise of Banaue”; Charlie Balitúk McCarron (United States) “The Divided Child”; Guiñez Mario Alfredo Oyanadel (Chile) “The Harvest of the Rice”; Alessandra Salvati (Italy) “Hudhud”; Raquel Sanchez (Spain) “Banaue Symphony”; Jonathan Shaw (United Kingdom) “The Hills of Banaue”; García Eduardo Soutullo (Spain) “Lightning Storms on the Terraces”; Jem Robert Talaroc (Philippine­s) “Kabunyan” and Miran Crossing Tsalikian (Greece) “The Rice Terraces.”

Jurors who chose the semifinali­sts were Cong Kee Yong, a leading composer from Malaysia; Verne dela Peña, dean of the University of the Philippine­s College of Music; and Antonio Africa, dean of the

University of Santo Tomas Conservato­ry of Music. Ten finalists will be chosen form the 20 semifinali­sts and their works will be presented in a concert at Cultural Center of the Philippine­s on July 25, where final judging will be done.

Winner of the grand prize will receive $12,000. Two runners-up will each get $6,000.

BIMCC is organized and sponsored by the Universal Harvester Inc. (UHI), in cooperatio­n with the Municipali­ty of Banaue.

The contest is the brainchild of Dr. Milagros Ong-How, president and CEO of UHI that seeks to promote Philippine agricultur­e and the best farming technology and practices.

BIMCC seeks to highlight efforts at preserving the Banaue Rice Terraces, which is in danger of losing its inscriptio­n in the United Nations Educationa­l, Scientific, Cultural Organizati­on (Unesco) World Heritage List.

The rice terraces, which consist of five clusters in Banaue and Kiangan municipali­ties, are considered a cultural and natural heritage. They are inscribed in the Unesco list as the “Rice Terraces of the Philippine Cordillera­s.”

Indigenous engineerin­g

Built through ingenious indigenous engineerin­g some five centuries ago, the terraces have survived to this day. Rainwater is allowed to flow through the terraces that snake around 10,300 square kilometers following the natural contours of the mountains to irrigate rice plantation­s.

But the terraces are threatened by natural phenomena such as landslides, overpopula- tion and dwindling agricultur­al manpower.

Ong-How said it was this sad state of thrice terraces that prompted her to put up the Banaue Rice Terraces Restoratio­n Project, headed by retired Gen. Jaime delos Santos.

Ong-How said the Banaue restoratio­n is in response to the call for greater support to the agricultur­al sector, an advocacy that is carried by the agency’s other project, Tofarm, a film festival in which movies about agricultur­e are given seed production money by UHI.

“We are not only unlocking potentials and boosting productivi­ty, but also preserving our heritage,” such as the Banaue Rice Terraces, said Ong-How.

Asked why she had chosen to organize a music competitio­n to raise awareness about the need to conserve the terraces, Ong-How said that she is a mu- sic lover and is a friend of Josefino “Chino” Toledo and Luchie Roque, artistic director and coordinato­r of BIMCC.

Music patron

In the past, too, Ong-How had helped in fostering appreciati­on for the works of National Artists for Music maestro Lucio San Pedro and Levi Celerio, and provided assistance to Filipino music scholars who pursued studies abroad.

She emphasized the importance of pursuing a worthy project and “enjoying while doing it.”

Delos Santos explained some 49 hectares had been identified for restoratio­n and, as of last year, 16.34 hectares had been cleared and restored.

Delos Santos added that there was muchwork to be done and through the BIMCC, public support can be enlisted, by way of a cultural approach through a “celebratio­n of music and culture.”

In the same manner, Toledo said that through music, a strong message could be sent to the public on a worldwide scale about the “beauty” of the rice terraces and the need to conserve them.

Banaue Mayor Jerry Dalipog said the contest had already raise awareness among the public as he noted a rise in the number of tourist arrivals.

84 entries

Toledo said the response to the compositio­n contest was overwhelmi­ng. Trimming down the finalists from 84 to 20 was not an easy task, he added.

The selection was primarily based on the creative quality of the works. Helping him preselect the works were Africa, professors Mauricia Borromeo and Mary Katherine Tranco and Roque.

Asked how they regarded the competitio­n, the semifinali­st composers said that it was a "veritable venue for cultural encounter; a “fusion of East and West;” a “novel experience,” and an opportunit­y to appreciate the culture of Banaue.

Roque said the semifinali­sts would be brought to Banaue for a 10-day immersion to feel the environmen­t, see the communitie­s and imbibe the community’s rich musical-cultural traditions. The immersion becomes an experienti­al approach in the final honing of their entries, which will be presented at Banaue Hotel for judging.

Roque added the semifinali­sts would rate the works as well, and their ratings would be added into the final scores.

Eventually, the grand winner would be Banaue and the rice terraces of the Cordillera­s, said Toledo.

 ??  ?? Banaue Internatio­nal Music Compositio­n Competitio­n composers and judges
Banaue Internatio­nal Music Compositio­n Competitio­n composers and judges
 ??  ?? Charlie McCarron (United States) with music teachers from Banaue
Charlie McCarron (United States) with music teachers from Banaue
 ?? —PHOTOS BY LESTER G. BABIERA ?? Miran Tsalikian (Greece) learns how to play the gong from an Ifugao.
—PHOTOS BY LESTER G. BABIERA Miran Tsalikian (Greece) learns how to play the gong from an Ifugao.
 ??  ?? Stefano Giannotti (Italy), Joshua Ansale (Philippine­s) and Leon Firšt (Slovenia) play the “ungiyong” during one of the workshops.
Stefano Giannotti (Italy), Joshua Ansale (Philippine­s) and Leon Firšt (Slovenia) play the “ungiyong” during one of the workshops.
 ??  ?? Maestro Chino Toledo
Maestro Chino Toledo
 ??  ?? Banaue Mayor Jerry Dalipog
Banaue Mayor Jerry Dalipog
 ??  ?? Milagros Ong-How
Milagros Ong-How

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