Philippine Daily Inquirer

House on a slope: Never upstage nature

Architect John Pangilinan designs a structure of multieleva­tions, which opens out to a grassy field

- By Glenna Aquino

@Inq_Lifestyle

Built on an uneven downhill slope, the house has a contempora­ry silhouette with large, open-plan social spaces for entertaini­ng visitors.

The interiors feel like elegant outdoor rooms ringed by old mango trees with gnarled trunks that add an organic feature to the modern structure.

The house was designed to make the best of an unobstruct­ed view: a grassy field under open skies.

Architect John Pangilinan of JRP Design Inc. worked with this environmen­t to give his client a dynamic living experience directly engaged with the local setting.

Opting for minimalist interiors so as not to upstage nature, Pangilinan used floor-to-ceiling glass doors and a neutral palette all throughout the house. This resulted in airy spaces that effectivel­y fulfilled their required function for socializat­ion and interactio­n beautifull­y.

‘Terraces’ design

A major concern about designing a house on a slope was getting the elevations right.

“One of the challenges was ensuring that we get the right elevation for each level of the house. The lot dropped by 7 meters from front to rear,” Pangilinan says. “Furthermor­e, we had to balance the areas where retaining the earth would be required, as to not compromise the space requiremen­ts. We applied the ‘terraces’ design approach wherein the structure of the house complement­s the site topography, thus looking ‘stair-like.’

“This approach also allowed us to capitalize on natural lighting and ventilatio­n, allowing the house to ‘breathe’ and not seem enclosed even if you are two levels below.”

It is built on three floors, the street level being the first, the second level, and the basement which leads out to the lawn. Each level sitting at a slightly different angle and elevation offers unexpected layers of experience, so much so that nothing distracts from the natural features of the terrain.

The basement provides laidback comfort and privacy even when other meetings or functions are going on in the upper two levels.

Interior ornamentat­ion is kept low, and because the outdoors come into play at different hours of the day, the natural outdoor connection becomes complete.

Impeccable light-filled monochroma­tic interiors become the perfect canvas for working with line, shape and volume.

The owners wanted different spaces for entertaini­ng family, friends, and business associates, so each level had to have its own entrance.

Private living spaces were ingeniousl­y integrated and hidden so the main function of the home as spaces to meet and entertain was achieved through effective space planning and soft furnishing.

Different levels, characters

Though there are three different spaces on three different levels, each has its own character: classic and elegant, relaxed and contempora­ry, and casual and homey.

These three spaces form the heart of the house.

Pangilinan adds: “The basement area is like a secret hideaway, a cozy space that can be opened all the way to the garden and embrace the green expanse—appreciate the huge mango trees that wrap the house, up to the highest levels, with a view of the open field in sight. It can be a place to gather but can also be a place to disconnect and unwind. I was honestly a bit surprised with how this space turned out.”

To enhance the restful ambience, lighting is discreetly placed so that brightness is refracted from strategica­lly placed fittings.

In the daytime, sunlight streams from the outdoors and fills the interiors. The Kenneth and Mock window wall system showcases floor-to-ceiling glass doors that can be drawn open with a second layer of protective screening to keep glare and bugs out.

“Essentiall­y it will be for the overall comfort of the end user, but more than that, residentia­l architectu­re should always consider the environmen­t and the general landscape to define the character and silhouette of a house,” says Pangilinan. “It is not just about trends, or anything ‘Instagramm­able,’ but a house that brings a certain amount of pride and joy to its owners. Engagement then becomes complete.”

 ?? —PAUL DEL ROSARIO ?? The house was designed to make the best of an unobstruct­ed view.
—PAUL DEL ROSARIO The house was designed to make the best of an unobstruct­ed view.
 ??  ?? The house has different levels ringed by old mango trees with gnarled trunks that add an organic feature to the modern structure.
The house has different levels ringed by old mango trees with gnarled trunks that add an organic feature to the modern structure.
 ??  ?? Pangilinan uses floor-to-ceiling glass doors and neutral palette to create airy spaces—not to upstage nature.
Pangilinan uses floor-to-ceiling glass doors and neutral palette to create airy spaces—not to upstage nature.
 ??  ?? Clear panoramic doors are transparen­t boundaries between the outdoors and the indoors.
Clear panoramic doors are transparen­t boundaries between the outdoors and the indoors.
 ??  ?? Designed and outfitted for meeting with dignitarie­s, the second level has a slightly more formal character than the rest of the spaces.
Designed and outfitted for meeting with dignitarie­s, the second level has a slightly more formal character than the rest of the spaces.
 ??  ?? Architect John Pangilinan
Architect John Pangilinan
 ??  ?? Natural light gives a monochroma­tic effect. Artificial lighting is discreetly placed so that brightness is refracted from strategica­lly placed fittings.
Natural light gives a monochroma­tic effect. Artificial lighting is discreetly placed so that brightness is refracted from strategica­lly placed fittings.
 ?? —PHOTOS BY PAUL DEL ROSARIO ?? The basement opens up to the lawn where impromptu barbecues are held.
—PHOTOS BY PAUL DEL ROSARIO The basement opens up to the lawn where impromptu barbecues are held.

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