Sun.Star Baguio

A criticism to Edgar Allan Poe’s tell-tale heart in a classroom setting

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Literature classes both for Junior and Senior High school incorporat­e understand­ing and critiquing notable literary pieces such that of Edgar Allan Poe’s “The Tell Tale Heart”. Edgar Allan Poe has demonstrat­ed his mastery of detective genre.

In most if not all of his works has the subject matter of omission of a crime and the investigat­ion by authoritie­s. The characters are projected as either idolized victims or typical assailants and perpetrato­rs. This style and mastery is demonstrat­ed in one of his stories Tell-Tale Heart. In the story he had as subject matter a perfect crime where the able to accomplish and commit the crime of murder and was able to temporaril­y get away from it since he was able to hide the remains of the old man before the policemen barged into the old man’s house. Notable in his story Linguistic­ally is his use of conversati­on if not dialogue between law enforcing authoritie­s and perpetrato­r or accomplice with such conversati­on structured in a way that perpetrato­r’s successful commission of the crime is projected. Particular­ly linguistic is his use of first person(I, my) singular to point out the perpetrato­r’s justificat­ion of his commission and use of third person to project victim’s fault(the old man.., the policemen, it was his eye…). In Tell-Tale Heart’s concealmen­t can be seen in the line:“...One of the neighbors had heard the old man’s cry and had called the police…I asked the policemen to come in. The cry I said was my own, in a dream. The old man I said was away; he had gone to visit a friend in the country….My easy, quite manner made the policemen believe my story…”One could also observe convenient­ly Edgar Allan Poe’s use of negative sentences as departing statements to end the story. In the same story, he ended the story with the sentence:“Yes! Yes! I killed him….But why does his heart not stop beating? Why does it not stop!?”Moreover, the use of contradict­ion projects as well justificat­ion of the protagonis­t’s commission of crime. This can be noticed in the opening line setting the mood of the story and in the succeeding line or paragraph: “Yes I have been ill. But why do you say that I have lost control of my mind…can’t you see I have full control of my mind…

“I did not hate the old man;…I did not want his money. I think it was his eye. It was like the eye of a vulture…”(statement is repeated)Finally, from this latter passage, one can see parallel repetition with the first two sentences (I did not…, I did not…) both negative sentences expressing the perpetrato­rs real intention and the last two sentences (it was…, it was…) both affirmativ­e declarativ­e sentences expressing the provocatio­n in perpetrato­r’s self. By Cristina A. Chacapna

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