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Is it too soon for a ‘Matrix’ reboot?

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It’s been 18 years since the trench-coated heroes of “The Matrix” first unleashed slow-motion mayhem on the big screen. But diehard fans think it’s too soon for a reboot, especially if the Wachowskis won’t be involved.

Areboot of The Matrix is said to be in the works, but many fans would rather see Warner Bros. choose a different pill.

The Hollywood Reporter on Tuesday reported that Warner Bros. is developing a relaunch of the 1999 film, which spawned two far less beloved sequels. Any new Matrix film is in such an early stage that it may—like countless other projects in developmen­t—never amount to anything. Warner Bros. declined to share any details on its plans on Wednesday.

But the report was enough to stoke a backlash on social media over any tampering with the Wachowskis’ trenchcoat­ed, slow-motion bullet-flying science-fiction creation. Reboots, you may have noticed, are a tad common for Hollywood these days. And while repaving old favorites often causes consternat­ion among fans, the possibilit­y of a new Matrix touched a nerve.

On one hand, the dystopian vision of The Matrix, about a rebellion against machine-controlled rule, would seem ideal for today. After all, many have recently suggested the world has tipped into a simulated reality of its own. The time may be ripe for the deep “rabbit-hole” diving Laurence Fishburne’s Morpheus advocated.

Also, initially wounded fan feelings have been known to soften under the right conditions. Get the right talent involved, secure the necessary blessings, talk about “mining” the story’s boundless “universe” and you could—come opening weekend— have a Matrix version of The Force

Awakens on your hands. But there’s also reason to believe moviegoers are increasing­ly saying no to cashgrab reboots. The reasons for their demises were various, but last summer was a graveyard of underwhelm­ing redos, including Alice Through the Looking Glass, Independen­ce Day: Resurgence and Ghostbuste­rs.

Still, remakes and sequels remain, overwhelmi­ngly, the biggest box-office hits. Disney’s

Beauty and the Beast, another refashione­d ‘90s fairy tale (albeit one with fewer sunglasses), is expected to open with more than $130 million in ticket sales this weekend and may ultimately gross $1 billion worldwide.

So why is the prospect of more “Matrix” particular­ly jarring? Here are a few reasons why: 1 NO WACHOWSKIS. Though they could, of course, get involved in some capacity in the future, they aren’t currently attached as directors for the new project. For many, a Matrix without Lana and Lilly Wachowski—the writers and directors of all three films—is anathema. Though their subsequent movies—the Matrix sequels, Cloud Atlas and Jupiter

Ascending— have been largely received as misfires, they’ve never lacked for ambition, daring or imaginatio­n. That goes double for their Netflix series Sense8. Keanu Reeves has said their involvemen­t is necessary for his participat­ion in any new Matrix movie. Yet despite Reeves’ action-hero bona fides in still sterling condition (see

John Wick and its sequel) and the Wachowskis continuall­y churning out sci-fi, Warner Bros. is said to be exploring a different filmmaker and star. Avengers scribe Zak Penn may write the script. 2 ORIGINALIT­Y WAS THE MAIN THRILL OF THE MATRIX. The disappoint­ing sequels notwithsta­nding, The Matrix was for fans exhilarati­ngly current, even futuristic, in its specialeff­ects innovation, distinctiv­e visuals and philosophi­cal underpinni­ngs. A remake goes against the movie’s defining quality. Something of a gamble,

The Matrix was released in March but went on to win four Oscars and make $463.5 million worldwide. Among the many to decry a reboot was Full Frontal writer Travon Free, who said: “An original masterpiec­e called

Get Out made $113M on a $4M budget and Warner Bros is rebooting The Matrix. Spend that money on new ideas!”

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TOO SOON. Though quick reboots have happened before ( Spider-Man may have set the record at a mere five years)

The Matrix doesn’t yet feel especially dated at 18 years old. But as Hollywood begins veering into the ‘90s for remake-ready intellectu­al property, Generation X is beginning to experience what has long been a constant for baby boomers. (1999’s The

Blair Witch Project was also reborn last year.) As Hollywood edges closer to today to plunder evermore recent remakes, it might need Neo to find some kind of time warp, too.

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