'Shazam!' debuts with $53.5M, handing DC Comics another win

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Earlier in the week, Warner Bros. also teased the DC release “Joker,” with Joaquin Phoenix, at CinemaCon. An even smaller-budgeted origin story with a similarly unique, albeit much darker, tone; it was one of the most talked-about movies at the Las Vegas event .

?‘Wonder Woman’was really the start of changing the ship,” Goldstein said. “When you look at each of these properties, they’re all very different. Their approach is different. Their tone is different. But here’s the commonality: All good movies, all well done. I think that’s what you’ll see out of DC is very specific approaches for that pr oper t y.”

Overseas, “Shazam!” grossed $102 million in 79 markets, including $30.9 million in China.

“DC has really found its groove,” said Paul Dergarabedian, senior media analyst for Comscore. “They’re really breaking out each character. Shazam and the Joker could not be two more different characters within the DC Universe. But I think that diversity of content is going to serve them well.”

Dergarabedian noted the two most dominant genres in movies right now — superheroes and horror — swamped theaters over the weekend, taking up four of the top five spots at the box office. The stiff competition in similar-styled holdovers could have slightly depressed results for both “Shazam!” and “Pet Sematary.”But right now, there’s scant room on the calendar between major comic book films and horror releases.

In fourth was Jordan Peele’s horror thriller “Us,”which added $13.8

million in its third week. Its cumulative global total stands at $216.6 million.

Marvel’s Brie Larsonled “Captain Marvel,” which recently crossed $1 billion in worldwide ticket sales, took in $12.7 million domestically in its fifth weekend. Captain Marvel, ironically, was Shazam’s original name when the character was first crafted, as a Superman knockoff, in 1939. He was relaunched in 1973 as Shazam after decades of lawsuits and the debut of Marvel’s own Captain Marvel.

The weekend’s other wide-release newcomer was STX Entertainment’s “Best of Enemies,” starring Taraji P. Henson as a civil rights activist and Sam Rockwell as a Ku Klux Klan leader. It opened with $4.5 million.

In limited release, Claire Denis’“High Life,” starring Rober t Pattinson, opened with about $100,000 in four theaters for A24.

Neon’s Aretha Franklin documentary, “Amazing Grace,” debuted with $96,000 in eight locations. The film, shot over two days at the New Bethel Baptist Church in the Watts section of Los Angeles in 1972, was lost for decades in part because its director, Sydney Pollack, failed to slate the images, leaving them not synced with the audio. Before her death last August, Franklin sued several times to prevent its release.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.