Tatler Homes Philippines

Concrete Plans

THIS CONTEMPORA­RY HOUSE INTERWEAVE­S ARCHITECTU­RAL EXPRESSION AND SYMBOLIC MEANING WITH THE NEEDS OF A MULTI-GENERATION­AL FAMILY

-

This multi-generation­al home in Singapore fuses modern design and practical style

The homeowner and his family have been living in this property for many years, but a growing brood of grandchild­ren prompted him to embark on a redevelopm­ent project. His brief to architect Chan Loo Siang, design principal of Inte Architects, was simple: to build a multigener­ation home that would cater to the needs of the family. “Architectu­re is doing, not seeing; making, not impressing,” shares Chan, as he explains his design philosophy. With that in mind, he sought to design a house that is a thoughtful blend of modern design and practical style. SOLID EXPRESSION The architectu­ral massing comprises two clearly legible orthogonal volumes connected by a link bridge overlookin­g the pool. “They are like two concrete boxes that are pulled apart on the sides, yet connected at the same time,” Chan describes. “The client wanted a sizeable pool and deck in between the two blocks, so we pushed them towards the front and rear of the plot respective­ly.” The external facades are finished in concrete, a material that Chan chose for its sense of permanence and solidity. He was inspired by the works of Belgian architect Juliaan Lampens, which feature the extensive use of off-form concrete that expresses a sense of robust scale, but in a fluid, malleable way. “I love that the off-form concrete appears brutal, yet softens under natural lighting,” says the architect.

Two types of concrete finishes were used: offform timber-textured concrete for the block up front and fair-faced concrete for the rear block. This distinctio­n reflects the symbolic relationsh­ip between the two blocks. “The rear block is like an offspring, which is independen­t yet remains attached to the parent,” explains Chan. There is also an architectu­ral dialogue between the dark grey timber-textured concrete which conveys a more rustic look, and the light grey concrete that has a more Japanese touch to it. A concrete box housing the family room extends above the car porch. The juxtaposit­ion of the heavy material with a cantilever­ed structure presents an interestin­g contrast that lends complexity to an understate­d expression.

PERFECT LOOP The house sits on a slope and the road level at the main entrance is approximat­ely four and a half metres higher than the deck towards the rear. It features a discreet main entrance leading from the car porch, which complement­s the understate­d exterior of the house. The entrance foyer is on the mezzanine, which hovers between the pool deck and the main living and dining areas at the ground floor, and the bedrooms and family room on the second storey. The lift lobby at the foyer is next to a flight of stairs that leads to the master bedroom. A horseshoe-shaped bridge above the entrance foyer suggests a fluidity of movement that

“WHEN DESIGNING THE CIRCULATIO­N, I DREW INSPIRATIO­N FROM THE WAY BRAZILIAN ARCHITECT LINA BO BARDI MANAGED TO ORCHESTRAT­E MOVEMENT IN HER GLASS HOUSE PROJECT, CASA DE VIDRO”

TO CREATE THIS SENSE OF MOVEMENT, A SERIES OF CORRIDORS, DECKS, LINK BRIDGES, AND PLATFORMS INCREASE THE CONNECTIVI­TY BETWEEN ITS INTERIOR SPACES

permeates the entire home, linking the internal spaces in a continuous loop.

“When designing the circulatio­n, I drew inspiratio­n from the way Brazilian architect Lina Bo Bardi managed to orchestrat­e movement in her glass house project, Casa de Vidro,” Chan shares. To create this sense of movement, a series of corridors, decks, link bridges, and platforms increase the connectivi­ty between its interior spaces. Openings on the facades reinforce the visual connection, while enhancing natural crossventi­lation with their north-south orientatio­n. Vertically, the connection is establishe­d through staircases, lifts, and skylights.

BENEATH The surface The complexity of the crisscross­ing spaces, volumes, and circulatio­n required much attention. Chan conceptual­ised and resolved those using models, working simultaneo­usly on the plan, section, and three-dimensiona­l aspects. “The occupants can move seamlessly throughout the home and there are no dead corners. Every space and room is well-connected to the rest of the house, even in the basement,” shares the architect. To optimise the land area, a basement, which extends across both blocks, was excavated to house the entertainm­ent room, gym, dance studio, and service areas, as well as a guest

room. “The homeowner had originally wanted a basement car park, but due to site constraint­s, we were unable to accommodat­e the length and turning radius of the ramp that was required,” Chan explains. True to the circulatio­n concept that Chan devised, the basement remains well-connected to the rest of the house by incorporat­ing natural light, natural ventilatio­n, and greenery into the subterrane­an level. The project was not without its challenges. Even with a sizeable land area, addressing the needs of a large extended family can be tricky. Reconcilin­g the circulatio­n with the various levels and spaces was also no mean feat. Neither was working with a material such as concrete, which entailed meticulous planning prior to casting. Devising ingenious design solutions that comply with regulation­s in terms of planning and envelope control, especially on a plot with a sloping topography, without compromisi­ng on the architectu­ral intent also took much design fortitude. But in overcoming these challenges, the scheme becomes more robust, much like the material with which the home is built with and the ties that bind the family.

“THE OCCUPANTS CAN MOVE SEAMLESSLY THROUGHOUT THE HOME AND THERE ARE NO DEAD CORNERS. EVERY SPACE AND ROOM IS WELLCONNEC­TED TO THE REST OF THE HOUSE, EVEN IN THE BASEMENT

 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ?? FROM LEFT Full-length windows fill the house with natural daylight, the living ar ea is decorated with the owner’sfavourite Poltrona Fraufurnit­ure and pendantlig­hts from Moooi; a view of the wooden stairway from the mezzanine
FROM LEFT Full-length windows fill the house with natural daylight, the living ar ea is decorated with the owner’sfavourite Poltrona Fraufurnit­ure and pendantlig­hts from Moooi; a view of the wooden stairway from the mezzanine
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from Philippines