Tatler Homes Philippines

Mediterran­ean Living

POISED ON A ROCKY PROMONTORY IN MALLORCA, A HOME WITH PANORAMIC VIEWS AND ARCHITECTU­RE MAKES THE MOST OF ITS SPECTACULA­R LOCATION

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Perched on a rocky promontory in Mallorca, this stunning holiday residence makes the most of its spectacula­r location

The owners of this remarkable home on the island of Mallorca took their time in search of a Mediterran­ean holiday property. It took no less than three years of careful hunting until they found the place they were looking for. At last they discovered their dream house— built in the late 1950s by the renowned Mallorcan architect, Pere Garau [creator of Sóller railway, which links the towns of Palma and Sóller to Mallorca], and situated on a rocky cliff top on the outskirts of Santa Ponsa in the Calvia district of the island.

The property’s location is magnificen­t: right atop a rocky promontory, it overlooks two separate bays, with views of the open Mediterran­ean on the horizon in one direction, and the small port town of Santa Ponsa in the other. This made it the perfect choice for the new owners, who have a large extended family and wanted a holiday epicentre where everyone could gather from around the world to spend time together. (While it is currently a secondary home, they envision that the house will eventually become a primary residence as the older members of the family retire.)

The existing structure had undergone a previous renovation sometime in the ‘90s and, unfortunat­ely, some “unfortunat­e” elements were added to it: aluminium windows that did nothing aesthetica­lly were placed in the façade, and the interiors sported highly polished marble floors that made the ambience more than a little chilly. The more design-conscious new owners immediatel­y embarked on a substantia­l re-do, and called in Mallorca-based architectu­re and design firm More Design to work on the project.

Attracted by the firm’s minimalist and contempora­ry approach, which also plays up historic and locationap­propriate elements, the owners’ brief specified the use of raw materials to create simplicity and serenity in the space. The architect Manuel Villanueva explains, “We wanted to create a place where people [would feel] comfortabl­e enough to read a book, fall asleep, and have an intimate conversati­on. [Naturally, it was key that the house would] fit gently into its surroundin­gs as well as make the best use of both the morning and afternoon light.”

The current renovation began two years ago and included substantia­l structural interventi­ons to the preexistin­g house. New staircases and passageway­s were added so as to connect the different areas of the home more organicall­y. It now features eight bedrooms, most of which are en suite, as well as substantia­l interior and outdoor living areas, a large kitchen equipped for entertaini­ng, a separate laundry area, and a wine cellar.

The overall success of the new design is a result of the way the house is oriented to the outdoor landscape that surrounds and envelops it. With its natural stone-clad façade and gently curving roof, the structure blends seamlessly into its rocky, cliff-side site. The former unsightly aluminium window frames have been replaced with a seamless system in which the windows appear [to be floating] with no frames at all. They are “almost voids, which can be opened fully so that the house feels like part of the landscape,” says Villanueva.

The design also reflects the influence of more naturalist­ic—and especially Brazilian—strains of mid-twentiethc­entury architectu­re. “We are huge fans of the Brazilian architect Lina Bo Bardi,” says More Design’s Design Director Oro del Negro, and this is clear in elements

like the use of stone cladding, elongated roof overhangs, massive openings, the open floor plan, and the way nuances from the landscape were infused into the interiors. Del Negro adds that, overall, the space was designed with functional pragmatic living in mind.

This blurring of borders between the interior and exterior is seamlessly achieved through huge picture windows and doors. In addition, the floors of the immediate outdoor terraces are finished in the same way as those in the interior spaces. Also key to the success of this aspect of the architectu­re is the use of wide overhangs created by the home’s undulating roof structure. The generous eaves are “one of the greatest architectu­re elements in the Mediterran­ean,” says Villanueva. “They protect from both rain and sun—being so far south means that the sun in summer is very vertical, and these overhangs made it possible to design the large glass windows without inundating the interior

with sunlight that is too bright, hot, and direct.” Instead, there is a gentle softness to the beautiful natural light that floods the home’s living spaces.

The colour palette for the rooms consists of soft beiges, bone white, and warm greys. Micro-cement floors and pared-back soft furnishing­s, set off by contempora­ry artworks carefully chosen by the owners’ collection, create minimalist yet welcoming interiors. True to the owners’ preference, natural textures and materials are employed throughout, including the design firm’s signature elements such as untreated wood, handcarved stone, and locally manufactur­ed encaustic (patterned ceramic) tiles.

Beautifull­y blending the outdoors with the interiors, softness with transparen­cy, and the contempora­ry with the organic, this house is the epitome of the best things about living in the Mediterran­ean. Its exceptiona­l design fits perfectly with its beautiful location, and the result is a home where the owners are set to enjoy a great deal of sun-drenched, relaxed, and restorativ­e time. “It is precisely what the magic of Mediterran­ean landscapes is all about,” says Villanueva.

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 ??  ?? OPPOSITE The main bedroom suite comprises a study area that looks out onto the garden. The richly textured handmade wool rug is by Indian manufactur­ers Sharda. The chair is a vintage Jacques Pergay piece
OPPOSITE The main bedroom suite comprises a study area that looks out onto the garden. The richly textured handmade wool rug is by Indian manufactur­ers Sharda. The chair is a vintage Jacques Pergay piece
 ??  ?? FROM LEFT The passageway that leads to the bedrooms is lined with artworks by French portraitis­t Ludovic Florent. The floors here are clad in microcemen­t and the walls have been given a lightly textured, limewash paint effect; wire sculptures by Pierre-augustin Marboeuf divide the hallway from the room on the left
FROM LEFT The passageway that leads to the bedrooms is lined with artworks by French portraitis­t Ludovic Florent. The floors here are clad in microcemen­t and the walls have been given a lightly textured, limewash paint effect; wire sculptures by Pierre-augustin Marboeuf divide the hallway from the room on the left
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 ??  ?? THIS PAGE A highlight in the main living room are the textured ottomans by the Spanish designer Patricia Urquiola for Gan by GandiaBlas­co. Other elements include a coffee tableby Delphine Messmer and the striking standing lamp by AdjaoMaiso­n
THIS PAGE A highlight in the main living room are the textured ottomans by the Spanish designer Patricia Urquiola for Gan by GandiaBlas­co. Other elements include a coffee tableby Delphine Messmer and the striking standing lamp by AdjaoMaiso­n
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 ??  ?? FROM LEFT Jaw-dropping views of the bay from the cliff-top pathway on the perimeter of the property; the poolside views extend over SantaPonsa promenade towards Porto Adriano, where a large number of luxury yachts are moored
FROM LEFT Jaw-dropping views of the bay from the cliff-top pathway on the perimeter of the property; the poolside views extend over SantaPonsa promenade towards Porto Adriano, where a large number of luxury yachts are moored
 ??  ?? OPPOSITE The pool pavilion with its inviting seating area is aperfect place to chill
OPPOSITE The pool pavilion with its inviting seating area is aperfect place to chill

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