Tatler Homes Philippines

A Taste for Leather

Know what constitute­s fine leather and why it remains covetable to this day

- By Ryanne Stephanie Cheng Co

“Our study initially starts with a research on materials: we go to the smallest tanneries, recovering ancient traditions and deviating from the ordinary path”

Walk into any modern living space and you will likely encounter leather, be it the upholstery or in a decorative material. Leathercra­ft has gone a long way since ancient times. While modern designs have emerged, the art of leather making is still a time-honoured tradition that dates to the BC era.

Creating leather pieces is an intricate process that has evolved over thousands of years. Despite employing many technologi­cal advancemen­ts, the craft still begins with the humble animal hide. Most leather nowadays are made from the skin of cattle, horses, aquatic animals, buffalos, or pigs. More exotic animals like crocodiles and snakes have also been used in leather making. Ostriches, kangaroos and lizards aren’t exempt either, being rare and more highly prized. Despite the variety, all hides are the same in compositio­n: thin epidermis, a thick corium and a subcutaneo­us fatty layer. The corium is often what makes the leather we know of today, after it has gone through the tanning process.

Artisans from luxury brands and suppliers must follow a strict process to achieve the best results

There are currently a multitude of leather purveyors in the market, but not all carry the same standards. For most leading furniture brands, quality starts way early, even before the curing process. “Our study initially starts with a research on materials: we go to the smallest tanneries, recovering ancient traditions and deviating from the ordinary path,” says Paolo Bestetti, CEO of high-end Italian brand, Baxter.

Other brands source all genuine full-grain leather and use them to create unique pieces that often transcend expectatio­ns. “One distinctiv­e feature of many Flexform designs is woven patterns,” shares Saul Galimberti, head of Flexform’s Research and Developmen­t department and director of the Flexform Design Centre. These patterns can be seen in their Cestone sofa and the Filicudi ottoman. Meanwhile, the luxurious Fendi Casa brand, distribute­d locally by Living Innovation­s, also uses all-european leather that is soft to the touch, with a distinctly natural appearance that is pleasing to the eye.

Artisans from luxury brands and suppliers must follow a strict process to achieve the best results. But while each maker has his own nuanced methods to follow, all products are expected to go through the same laborious procedures.

The first step is to preserve, or cure rawhides, often done by freezing, salting, or drying. It’s crucial for this first step to be done properly to avoid wasting quality hides. After it is cured, the leather is limed to remove hair from the animal’s skin. Fleshing follows, the step of separating any extra tissue from the hide. Sometimes, makers split the hides to separate the top grain side from the bottom. These two sides are used for different applicatio­ns—the top side is used for grain leather, the bottom for suede.

Once the hide is ready, it is pickled in acid and salt solutions to make it receptive to the next step, tanning. While the word tanning is familiar, the details of the process

is less so. Tanning involves the absorption of tannins to make the leather stable and less prone to disintegra­tion.

Coloured leather, the popular choice of homeowners, is also affected during the tanning process. Plant tannins give leather a brownish tone, while fat and oil tannins give it a yellowish tint. Synthetic tanning will often result in a whitish veneer while chrome tanning into a bluish grey leather. For more specific colours however, leather must be dyed. There are two main methods to achieve this: by dyeing and by using pigmentati­on with binder-based colours. Dyeing usually takes place in a dye bath with rotating barrels.

For sensitive leather, surface binder-based pigmentati­on is preferred. This forms a protective pigment layer on the surface after dyeing. In aniline leather, the pores of the animal are still completely recognisab­le as there is no pigment-based top layer. In semi-aniline leather, the pores are still visible, but a thin layer of colour makes it less noticeable. In pigmented leather however, no pores at all are seen; instead, the focus is on the thick colouratio­n of the leather itself. Makers who offer a wide spectrum of coloured leather often uphold this is method meticulous­ly in order to ensure quality and the right colour.

There’s no doubt that, with all these factors to consider, choosing a leather piece can be overwhelmi­ng. “Having

a full-grain leather with an aniline tanning process reveals the highest degree of quality,” asserts Bestetti.

Another factor to consider is feel. Pieces from Fendi Casa are often known for their velvety soft and smooth texture; this is what those in the know often look for when purchasing leather. Depth, wear-resistance and the ability to transpire (a quality wherein the leather contains open pores that make its texture pleasant and comfortabl­e to the touch) are also important considerat­ions in high-quality leather pieces, which are sure to appreciate over time. Because leather is so versatile, people also have the freedom to decide which would suit their tastes the most. Poltrona Frau, distribute­d locally by Furnitalia, is known for their Pelle Frau leather, a group of 12 collection­s that each undergo a different tanning process to achieve different feels, colours, and looks.

Of course, maintenanc­e is just as important to consider. “Unlike other materials, leather adapts to the temperatur­e of the room and the human body. It is a natural product that, with time, takes on character and charm—but needs care and attention,” says Stefania Netti, of Fendi Casa.

For Baxter, special maintenanc­e kits are specifical­ly designed for each type of leather they produce. This guarantees longevity for the piece and assures owners that they are getting the best care

Be it in our closets or around our spaces, leather has become a true marquee of timeless style and ever-evolving craftsmans­hip

for their purchase. Clients can also take low-maintenanc­e approach. “The fact that leather is natural and completely dyed guarantees a uniform look through the years. What we suggest in order to maintain original leather aspect is to clean it regularly with a dump cloth,” shares Galimberti.

While many trends come and go, leather is here to stay. It’s hardly a trend, but more of an artform, one that involves a meticulous process discovered through a rich history of practice and patience. Be it in our closets or around our spaces, leather has become a true marquee of timeless style and ever-evolving craftsmans­hip.

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 ??  ?? This page: Journey decorative leather cushion by Giulio Ridolfo and Chiara Novello for Poltrona Frau Opposite page: Raw leather pieces ready for processing at a tannery
This page: Journey decorative leather cushion by Giulio Ridolfo and Chiara Novello for Poltrona Frau Opposite page: Raw leather pieces ready for processing at a tannery
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 ??  ?? This page: Leather hides produced at the Miratorg tanning facility in Russia; Reading lamp by Bottega Venetta Opposite page: Baxter’s Brigitte leather sofa comes in an array of colours from timeless neutrals to vivid hues
This page: Leather hides produced at the Miratorg tanning facility in Russia; Reading lamp by Bottega Venetta Opposite page: Baxter’s Brigitte leather sofa comes in an array of colours from timeless neutrals to vivid hues
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 ??  ?? This page: Cestone sofa by Antonio Citterio for Flexform is made up of a metal structure upholstere­d with woven strips of cowhide Opposite, from top: Workers at tanning pits in Fez, Morocco; The frame of Viola chair by Poltrona Frau is made from solid ash in a Moka or Wenge stain embellishe­d with a weave made from dark brown or natural saddleleat­her laces
This page: Cestone sofa by Antonio Citterio for Flexform is made up of a metal structure upholstere­d with woven strips of cowhide Opposite, from top: Workers at tanning pits in Fez, Morocco; The frame of Viola chair by Poltrona Frau is made from solid ash in a Moka or Wenge stain embellishe­d with a weave made from dark brown or natural saddleleat­her laces
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 ??  ?? From far left: Poltrona Frau’s Colorspher­e® is composed of seven main colour families ordered according to a gradual chromatic logic of tones and sub-tones; Drying raw hides; The iconic Brigitte armchair by Fendi Casa asserts an air of Italian glamour with its luxurious fur cushioning in printed lamb or mink
From far left: Poltrona Frau’s Colorspher­e® is composed of seven main colour families ordered according to a gradual chromatic logic of tones and sub-tones; Drying raw hides; The iconic Brigitte armchair by Fendi Casa asserts an air of Italian glamour with its luxurious fur cushioning in printed lamb or mink

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