Tatler Philippines

Decadent Gem

A fashion designer’s Parisian home is an eclectic showcase of styles from some of history’s most influentia­l eras

- By Chelsia Tan. Photograph­y by Francis Amiand

Eclecticis­m reigns supreme in the French fashion designer Alexis Mabille’s flat in Paris

The co-founders of interior architectu­re studio Humbert & Poyet are no strangers to the world of high fashion. Paris-based duo Emil Humbert and Christophe Poyet tapped into their deep appreciati­on for womenswear when they designed the Saint Germain des Prés boutique of French fashion designer Alexis Mabille’s eponymous brand in 2014.

Soon after the store’s completion, Mabille approached Humbert & Poyet to decorate his newly purchased apartment in the 9th arrondisse­ment, a bustling district in Paris filled with cultural attraction­s. For the designers, this project presented them with another opportunit­y to collaborat­e with the renowned couturier.

“Alexis wanted us to recreate the lost grandeur of this once-beautiful apartment, which had been completely stripped of its original 19th-century details, by rebuilding it in the directoire style,” say the designers.

In a nod to this style—which dominated the second phase of the neoclassic­al period of art and culture in the late 18th century—the walls are painted a stark white and accented with rectangula­r mouldings, acknowledg­ing the period’s revival of ancient Greek architectu­re. The movement emphasised the Greek architectu­ral philosophy of simplicity, proportion, perspectiv­e and harmony.

REIMAGININ­G SPACES

With its high ceilings, voluminous rooms and abundance of natural light, the apartment did have desirable qualities, but was a very austere space. “It was challengin­g as the space was bare and minimal, with no structural elements of decoration,” says Humbert. “So, we took the opportunit­y to introduce contempora­ry elements and recreate structural decorative elements that would connect with the building’s history.”

The repeated rectangula­r mouldings play on the period’s use of geometry, which are echoed in the square cornices framing the apartment’s lofty ceilings, as well as the herringbon­e parquet flooring. These subtle details, synonymous with the principles of simplicity and symmetry, create an elegant setting for rich textures and luxurious materials such as velvet and marble.

This seemingly effortless integratio­n of directoire elements was the fruit of substantia­l planning and research. “We excavated the original floor plans from the 19th century to capture the style of that era in our renovation. As the apartment had been completely stripped of its decorative elements before we started working on it, every single thing had to be redone, apart from one mantelpiec­e, one door and part of the ceiling,” recall the designers.

HISTORIC TAKE

To create a space that would capture Mabille’s iconic style, the studio referenced the couturier’s penchant for cinematic influences, theatrical styling and historical periods such as the Second French Empire—the period of Napoleon III’s Imperial Bonapartis­t regime from 1852 to 1870. Coincident­ally, these are references that the interior designers also admire; they’re known for their knack for combining modern and historical influences in their projects. For instance, the use of brass finishes and the herringbon­e flooring are both hallmarks of the studio.

Although Humbert & Poyet led the project, Mabille was also deeply involved in the creative process, even designing some of the furniture himself. In the living room, the striking velvet sofas are custom pieces by the

“We excavated the original floor plans from the 19th century to capture the style of that era in our renovation”

fashion designer. These modern iterations of the Tudor-style sofa were made from fabric offcuts from his collection of vintage tapestries, sourced from antique markets across France.

A marble coffee table designed by Mabille not only brings these different elements together, it also draws attention to the symmetrica­l placement of furniture; these include the gilded mirrors positioned on the opposite ends of the room and the Napoleonic chairs flanking both mantelpiec­es. The room is also furnished with art deco-inspired pieces. These include a set of white lamps by Swiss sculptor Diego Giacometti that are displayed on end tables designed by Mabille.

Mabille’s propensity for the whimsical transforms the kitchen into a playful space. Displayed above the marbletop counter are Greek-inspired sculptures, chinoiseri­e-style porcelain and framed works by artists ranging from photograph­er Adrien Dirand to designer Louis Marie de Castelbaja­c. More of Mabille’s collection of antiques and family heirlooms, such as Louis XVI furniture, are also showcased throughout the apartment.

This nonchalant mix of personal artefacts creates an inviting and grounded atmosphere. “What I love most about my home is the play of light, proportion­s and mix of objects that I included, which gives its directoire style a very comfy and elegant mood,” says Mabille.

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 ??  ?? A large painting by Gilles Bensimon echoes the hues on the colourful custom velvet sofas and accent cushions
A large painting by Gilles Bensimon echoes the hues on the colourful custom velvet sofas and accent cushions
 ??  ?? Clockwise from top left: The herringbon­e flooring leads the eye towards the rest of the home; The Calacatta marble backsplash and sky blue dining table add visual interest to the white kitchen; The shelves in the kitchen are decorated with various objects and artworks
Clockwise from top left: The herringbon­e flooring leads the eye towards the rest of the home; The Calacatta marble backsplash and sky blue dining table add visual interest to the white kitchen; The shelves in the kitchen are decorated with various objects and artworks
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 ??  ?? Opposite, clockwise from
top left: Mabille with interior designers Emil Humbert and Christophe Poyet of Humbert & Poyet; The gold My Dior chair echoes the brass detailing on the console and chandelier overhead, as well as on the walls and doors; Luxuriousl­y clad in Carrara marble, the primary bathroom features sconces designed in Italy from the Seventies and a pair of antique Greek vessels
Opposite, clockwise from top left: Mabille with interior designers Emil Humbert and Christophe Poyet of Humbert & Poyet; The gold My Dior chair echoes the brass detailing on the console and chandelier overhead, as well as on the walls and doors; Luxuriousl­y clad in Carrara marble, the primary bathroom features sconces designed in Italy from the Seventies and a pair of antique Greek vessels
 ??  ?? This page: The primary bedroom features an Empire-style bed with carved lion’s feet, curtains with 19th-century tapestry work, a pair of Napoleonic military campaign chairs and an armchair in a vintage peluche fabric from the Seventies
This page: The primary bedroom features an Empire-style bed with carved lion’s feet, curtains with 19th-century tapestry work, a pair of Napoleonic military campaign chairs and an armchair in a vintage peluche fabric from the Seventies
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 ??  ?? From left: The red marble coffee table and velvet sofas were customised by fashion designer and homeowner Alexis Mabille, with the latter featuring vintage fabric offcuts from his womenswear collection­s; A view of the bathroom from the primary bedroom
From left: The red marble coffee table and velvet sofas were customised by fashion designer and homeowner Alexis Mabille, with the latter featuring vintage fabric offcuts from his womenswear collection­s; A view of the bathroom from the primary bedroom
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