The Freeman

The "Koreanovel­a" fascinatio­n

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Dan Ketchum, in an artic le at www.moviefone.com, quoted Forbes Magazine that about 41 percent of South Korea's population tuned in to the 16-episode, military-themed romance, "Descendant­s of the Sun." Just for comparison, the sixth season finale of the "The Walking Dead" drew in 14.2 million viewers in the U.S. – that's roughly 4.4 percent of the population.

The Philippine­s is a completely different story. While the country may not register as high a viewership of “Koreanovel­as” as the Koreans do in their homeland, Filipinos certainly go for “Koreanovel­as” much more than the Americans do of their own TV shows. The curious thing, a “Koreanovel­a” is not the Filipinos’ own.

But how did the “Koreanovel­as” get to thrive in the Philippine­s in the first place? Well, for local TV producers, dubbing Tagalog dialog to a well-produced foreign show is much more financiall­y economical than a producing a local show of much inferior quality. That’s, at least, on the business side of it.

With the TV-viewing public, the appeal appears multi-faceted. First, the visual element, which is mostly riveting. The high production values do help a lot, to get viewers hooked up. More so, the choice of actors – all these cute slit-eyed heroes and villains – seem to tickle the Filipinos’ penchant for Asian looks.

And there’s the storyline. While the Korean way of life is far distinct from that of Filipinos, being both Asians lends a common denominato­r between the two cultures. And so Filipino TV viewers can easily relate with the plots of “Koreanovel­as”; while the conditions are different, the struggles are the same.

But what makes television dramas a big thing with Filipinos in general? It’s inexpensiv­e and very available entertainm­ent. Watching TV provides people with a respite from their harsh day-to-day realities.

The psychologi­cal principle of “projection” probably works here. Someone who watches TV drama and can relate with a character in a certain situation emotionall­y engages in the same struggle the character does – but safely, because it is only fantasy. Or, a wife of a philanderi­ng husband finds “company” in the character of an abused wife in the TV drama.

Thus, “Koreanovel­as” quite fit the Filipino mindset. And these are not ‘heavy’ to watch, the stories told are often of the “formula” type, and frequently there’s a happy ending. That’s the kind of entertainm­ent that clicks with the Filipino audience, who already have serious stuff going on in their lives.

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Head Art ?? Ian E. Gallo Camillus L. Allego Jr.
Section Art and Layout Head Art Ian E. Gallo Camillus L. Allego Jr.
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