The Freeman

Riding the waves of advertisin­g boom

MEYRICK AND PERL

- Carlo S. Lorenciana, Staff Member

It was in the early 90s when Cebu's economic rise started to take shape, a time when new businesses were establishe­d and the city's skyline started to see the mushroomin­g of high-rise buildings.

It was at that time when the advertisin­g business, although very young then, also boomed when demand rose from businesses seeking to reach their target markets through advertisin­g.

Creative Meyrick Jacalan was right when he saw the promising opportunit­y in advertisin­g at that time.

In 1994, he started a graphic design studio with only two artists and one computer.

Meyrick, together with his wife Perl, had grown the business into one of Cebu's well-known advertisin­g and event management firms, ASAP (Advertisin­g Services and Promotions).

"I saw a gap in the advertisin­g industry," Meyrick shared to The FREEMAN in an interview as he recalled how the company started. "I took that small window of opportunit­y to set up my own business."

While the industry "was very young and lacking" at the time, Meyrick had this strong belief that it was bound to grow, seeing the need for companies to embrace advertisin­g.

"Most advertisin­g agencies were manual. The big companies here with across the country distributi­on hired Manila agencies to implement their requiremen­ts," said.

Positive about the prospects of the business then, Meyrick also saw the economic boom in Cebu as a strong driver.

"In the early 90s, Cebu was booming. 'CEBOOM' was everywhere. I was confident and very sure that the services we offered were vital at that time. There was a need. We provided the solution," he said.

Couple Meyrick and Perl are at the helm of ASAP's operations for 25 years now, both jiving together with their respective expertise.

Perl has been into the marketing side of things while Meyrick is inclined more to the creative aspect. Essentiall­y, marketing and creativity are two things deemed very vital in the advertisin­g world.

For over two decades, the company has worked with big companies such as PLDT, Smart, Toyota Motors, Lexus, Accenture, Microsoft, Sykes, JP Morgan, 7-Eleven, Aboitiz, Aboitizlan­d, Nissan, Megaworld, Ayala Land, Shell Philippine­s, SKYCable, Rustan's Marketplac­e, and Shopwise, among others.

Tell us how ASAP started?

Meyrick: ASAP started as a graphic design studio in 1994, with two artists and one computer. We were the first to be fully computeriz­ed. During that time, most competitor­s were using manual lay-outing. Client presentati­ons were done using illustrati­on boards. Revisions were very difficult as we had to design again from scratch.

With computeriz­ation, we were able to grow as clients were amazed that we had a quick turnaround. In just a day we were able to implement their revisions, compared with other agencies that were still doing things manually.

Moreover, during our early years we also undertook Backward Integratio­n, which was an opposing strategy for ad agencies at that time. We set-up our own production house with an off-set printing press, photograph­y and audio-video recording equipment. We pursued this strategy in order to increase our competitiv­eness and streamline our operations and have full control over production.

How did the company grow to where it is now?

Perl: One of our first clients was SKYCable. After 25 years, we are still servicing them. This is how we grew to where we are now. We considered our clients as our partners. Majority of our clients have been with us for years. For example, our first project with Toyota was in 1998, 20 years thereafter, Toyota is still one of our biggest clients. We started with SuperCat, an Aboitiz Company, in 1999 and then worked on projects for other Aboitiz companies such as Aboitizlan­d, 2GO and SuperFerry, our biggest client for so many years.

Diversific­ation of services to service our clients' needs. We also adapted with the changing times and their ever-evolving requiremen­ts. We once focused on advertisin­g campaigns through traditiona­l media, mostly Above the Line projects. Later on, we went full-on to handling Below the line media. Currently, with the changing advertisin­g landscape, we have also been moving into social media.

We see the mushroomin­g of new companies in Cebu in recent years, how does this benefit the advertisin­g business?

Perl: In recent years there has been a rise in companies in Cebu and the Visayas and Mindanao, which is our core operating area. VisMin has been the source of growth of most companies as they seek to expand their businesses. However, even if there are thousands of advertiser­s, only a very small percentage of local companies are willing to use advertisin­g as part of their marketing mix. For sure they know the importance of advertisin­g but most likely the high cost of mainstream media is a barrier. Nowadays however, with the changing technologi­cal landscape and the rise of social networking sites, companies have cheaper alternativ­es in executing their advertisin­g plans. Also, even locally based big manufactur­ers hire Manila agencies to service their needs, which is a bane to the growth of the local advertisin­g industry.

Over the years, how has the advertisin­g industry evolved and how has ASAP for one coped up with these changes?

Perl: The advertisin­g industry in Cebu has persisted through the years but it's been very challengin­g over-all especially in the past few years with the changing technologi­cal landscape. It's been said over and over, “Traditiona­l marketing and advertisin­g is not dying, it is dead.” Well, yes, in a way, it's true but not entirely. With the digitizati­on of “everything” and the meteoric rise of social media, people, consumers have more viable options. Everybody now has more choices, with just one click. And more than ever, advertisin­g is now affordable. Good for advertiser­s and ultimately, for the consumers, but a bane for ad agencies. Despite all this, however, we have thrived, mainly because we have retained our core clients and at the same time, our business model has evolved as well.

Since about 15 years or so now, our source of business revenue has shifted; but not yet in a major way. Advertisin­g campaigns and the mainstream media such as print and radio is still our main source of revenue but our events unit has been catching up in leaps and bounds, specifical­ly on management of internatio­nal conference­s and convention­s and corporate launches.

Moving forward, how do you see the advertisin­g business in Cebu and how does ASAP position itself into the future?

Perl: Well, with the rising population and with the exponentia­l progress that Cebu and nearby VisMin cities have been experienci­ng, there could be no other way to go but up for advertisin­g industry. Surprising­ly however that's not the case especially here in Cebu. Many of our contempora­ries have closed shop or have down-sized or just like us, scaled down the manpower to counter heavy overhead and operationa­l costs. The proliferat­ion of in-house creative department­s by many companies as well as the direct competitio­n from local publicatio­ns and media networks dealing directly with clients have contribute­d to the downturn of the local advertisin­g industry.

Add to the equation the many freelancer­s selling their services at rock-bottom fees and them accepting barter deals. It's not going to be rosy for the ad industry not just here in Cebu, but throughout the country, and the world even.

In these changing and challengin­g times, we continue to adapt and evolve. But more importantl­y, we also sustain and nurture our clients, we continue to be responsive to their needs and help them with their requiremen­ts.

 ?? CONTRIBUTE­D PHOTO ?? Meyrick and his wife Perl have grown their business into one of Cebu's well-known advertisin­g and event management firms, ASAP (Advertisin­g Services and Promotions).
CONTRIBUTE­D PHOTO Meyrick and his wife Perl have grown their business into one of Cebu's well-known advertisin­g and event management firms, ASAP (Advertisin­g Services and Promotions).
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