The Philippine Star

Natori exits the bedroom and strides onto the street

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Lingerie is the cornerston­e of the Natori name which currently boasts underwear, accessorie­s including bags and a home line.

Branching out to ready- to- wear was a natural progressio­n for a label that prided itself on fashion that could easily transition from bedroom to boardroom.

At the launch of the new ready-to-wear store in Rustan’s Makati last Tuesday, Josie Natori, garbed in her signature monochroma­tic black, was proud of the welcome they’d received.

“When we presented our spring-sum-

mer line months ago, everyone who saw it wanted us to make it available here,” Josie explains. “Nedy Tantoco told me, ‘Go for it.’ So here we are, literally four months later.”

The Natori RTW store is an extension of its loungewear and lingerie space, which dominates a key portion of the women’s floor of Rustan’s. Juxtaposed against sleek dark wood are bejeweled garments from the current season, including Philippine-made accessorie­s like dramatic neck pieces.

“To be able to open here in Rustan’s makes me happy,” she remarked. “Even though we started at Saks, this means a lot more to me.”

Eastbound and down

Set to the tune of French colonial Indochine, the spring-summer collection harked to a golden age of easy elegance.

Settling on the eastern reference is a starting point for the Natori team.

“Every season, we ask ourselves ‘Where would Josie like to go now? What place will inspire us this time?’” says David Leung, Natori VP design director. “We were sitting at Indochine, this restaurant in New York, when she said, ‘Why not Indochine?’”

Visible nods to the region that can be found in the digital painterly prints on dresses, evocative of the Mekong river. A sophistica­ted palette for S/S involved plenty of black, a signature of the New York designer, as well as singular additions of lime and orange.

Silhouette­s, in homage to the Natori woman, stayed true to the brand: wide-leg trousers that glided with every step, draped tunics that molded to the body without revealing skin. It’s an aesthetic both modern and conservati­ve, grown up yet edgy.

“This collection is really about soft dressing,” Josie asserts. “It epitomizes what the Natori philosophy is about: easy dressing, day to night, comfortabl­e, makes you feel feminine, makes you feel good.”

It’s a global aesthetic that doesn’t pay heed to trends. As Josie summed up: “It’s versatile and timeless.”

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 ??  ?? Neo corporate: “It’s not about blazers,” notes Natori. “This is really what women need, clothes you can wear year round, to take you from day to night.”
Neo corporate: “It’s not about blazers,” notes Natori. “This is really what women need, clothes you can wear year round, to take you from day to night.”
 ??  ?? Josie Natori RTW debut at Rustan’s Makati
Josie Natori RTW debut at Rustan’s Makati
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 ??  ?? Global girl: The collection is “something you can travel with,” according to Natori, with slinky fabric that doesn’t wrinkle.
Global girl: The collection is “something you can travel with,” according to Natori, with slinky fabric that doesn’t wrinkle.
 ?? Photos by JOEY MENDOZA ?? Easy does it: Easy dressing at Natori’s RTW
Photos by JOEY MENDOZA Easy does it: Easy dressing at Natori’s RTW
 ??  ?? Like water for Josie: Digital painterly prints evoke the depths of the Mekong River.
Like water for Josie: Digital painterly prints evoke the depths of the Mekong River.
 ??  ?? More is more: Textures, from a mother-of-pearl belt and a shimmering dress, add depth.
More is more: Textures, from a mother-of-pearl belt and a shimmering dress, add depth.
 ??  ?? Natori S/S presentati­on in New York
Natori S/S presentati­on in New York
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 ??  ?? Natori’s David Leung and Ian Giron
Natori’s David Leung and Ian Giron

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