The Philippine Star

Jonathan Manalo’s songwritin­g story

- By Jelai L. Tarosa

He was a regular fresh graduate a decade back, just hoping to land a career in advertisin­g. Then, being young and open to everything, he joined a couple of songwritin­g contests just for the fun of it. He won and that opened doors of opportunit­y which led to a career he never thought meant for him.

With the rebirth of big local songwritin­g festivals, Jonathan Manalo is waxing nostalgic over his experience that made him the current

generation’s most prolific songwriter-record producer.

The Star Records’ resident songwriter-album producer

won first prize in 2001 Himig Handog songwritin­g competitio­n with Tara Tena, then took home one of the major

prizes at the 2003 Metropop. It was enough to get the trust

of the Kapamilya network which eventually hired him.

By now he has collected around 80 multi-platinum and gold awards in his 10year run. He’s behind the creation of such remarkable songs as Orange & Lemons’ Pinoy Ako; Sam Milby’s Hindi Kita Iiwan; Kyla’s Beautiful Days; Erik Santos’ Pagbigyang Muli; the multi-awarded animation theme Kaya Mo; and Angeline Quinto’s Patuloy

Ang Pangarap.

With over 100 albums and compilatio­ns under his name as producer, along with an ever-increasing number

of released and recognized

compositio­ns, Jonathan is one prolific workforce that epitomizes a hard working, output-oriented talent. “I’m privileged to have this gift of being able to write and produce songs,” said the Godfearing tunesmith from Valenzuela who officially is the A&R and audio content manager of Star Music Group.

Jonathan just finished working on Angeline’s follow-up package as well as on The Reunion album that compiled new renditions of Eraserhead­s classics. He is also working on the next album of ballad rocker Jovit Baldivino.

His flexibilit­y as a record producer is reflected in the different styles of music he has dealt with and artists he has worked with, from Itchyworms to Gary Valenciano, from Charice to Piolo Pascual.

Jonathan shared, “A song is good if nakaka- connect sa

maraming tao. I write songs everywhere I am and whatever I do like in the gym or while driving. Basta my goal is to create songs that are not against the laws of God.”

As a former choir boy who began writing gospel songs at age 13, he has written several TV show theme songs such as those for Wansapanat­aym, Search For The Star In A Million, Star Circle Quest, Pinoy for PBB Teens, Sharon’s May Kasama Ka, Maria Flor De Luna, Mga Anghel Na Walang Langit and so on. On the big screen, his theme for Star Cinema’s RPG Metanoia earned nomination­s from award-giving bodies.

His future looks even brighter, considerin­g that he intends to continue what he is doing. He promised, “I will never stop writing. Gusto ko lang gumawa ng kanta at hindi ko alam saan ako dadalhin nun.”

That simply means more would-be classic compositio­ns and memorable albums for this productive worker behind the scene.

 ?? Jonathan: A song is good if it connects with
people. ??
Jonathan: A song is good if it connects with people.

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