The Philippine Star

Ramon Orlina, Michael Cacnio and Carlo Magno in ‘Lumina’ at Galleria Nicolas

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An artworkÕs ability to work with light Ñ through techniques such as illuminati­on and shadowing Ñ allows viewers to cast judgment on its merits as a masterpiec­e. Familiarit­y with the usage of light is particular­ly nuanced when viewing works of sculpture, and the skill of an artist is tested by his ability to bend, reßect, and refract light. So it isnÕt surprising that the likes of imminent master sculptors Ramon Orlina and Michael Cacnio are well versed in the interplay between sculptural material and luminescen­ce. When their new works are combined with the renowned abstract canvases of painter Carlo Magno, the resulting exhibition is intriguing.

These three artists open the recently renovated art landmark in Makati, Galleria Nicolas. The exhibition titled ÒLuminaÓ opens on Jan. 24, Thursday, 6:30 p.m., at Galleria Nicolas, third floor, Art Space, Glorietta 4, Ayala Center, Makati City.

Ramon OrlinaÕs recent forays into other materials Ñ such as carved amber crystal Ñ underscore­s his absolute mastery of light. His ÒSunrise in El Nido IIÓ is a cacophony of light bouncing and reßecting off the carved amber crystal in a myriad of ways, leaving the viewer transÞxed as the artist manages to convey the atmosphere of a sunrise over a fantastic destinatio­n spot like Palawan. He uses the materialÕs natural interactio­n with light and dominates its direction. In ÒThe Archer,Ó Orlina uses his more familiar carved green glass and constructs a plausible Þgurative archer ¯ only abstracted to an extreme angular dimension and using available light to give the artwork weight.

For Lumina, Michael Cacnio delves into a completely new aspect of his practice ¯ lighted sculptures that illuminate portions of the artwork, lending an ethereal quality to an already fascinatin­g concept. CacnioÕs ÒMeditatio­n,Ó with the meditating Þgure illuminate­d with a soft-blue light from within, suggests the Þgure is close to reaching enlightenm­ent.

Carlo Magno complement­s these two heavyweigh­t sculptors with the characteri­stic abstractio­ns that have seen him become one of the foremost abstractio­nists in the country.

ÒLuminaÓ is on view until Feb. 9. For informatio­n, call 625-0273, email info@galleriani­colas.com, or visit www.galleriani­colas.com.

 ??  ?? “Emerald Rice Terraces” and “Closeness II” by Ramon Orlina
“Emerald Rice Terraces” and “Closeness II” by Ramon Orlina
 ??  ?? “Corner VII” and “Lilac, Passages and Undertones” by Carlo Magno
“Corner VII” and “Lilac, Passages and Undertones” by Carlo Magno
 ??  ?? “Blown and “Meditation” by Michael Cacnio
“Blown and “Meditation” by Michael Cacnio
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