The Philippine Star

Wearing the terno today

- By MARBBIE TAGABUCBA

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 ??  ?? Photo by ERNIE PEÑAREDOND­O The finalists for the Philippine Fashion Design Competitio­n 2013: Reimaginin­g Today’s Terno are Marion Isabel Solon, Irene Subang, Jonah Bengt Enrique, Gilmar Thonee Llaneras, Candle Ray Torreverde, Charinson Balalihe,...
Photo by ERNIE PEÑAREDOND­O The finalists for the Philippine Fashion Design Competitio­n 2013: Reimaginin­g Today’s Terno are Marion Isabel Solon, Irene Subang, Jonah Bengt Enrique, Gilmar Thonee Llaneras, Candle Ray Torreverde, Charinson Balalihe,...
 ??  ?? is embroidere­d with Vince Tolentino of Bicol’s “Pale Fire” draws inspiratio­n from his hometown’s biggest attraction, Mayon volcano, painted on abaca and silk. He incorporat­ed butterfly sleeves into a crop top paired with shorts to create “something...
is embroidere­d with Vince Tolentino of Bicol’s “Pale Fire” draws inspiratio­n from his hometown’s biggest attraction, Mayon volcano, painted on abaca and silk. He incorporat­ed butterfly sleeves into a crop top paired with shorts to create “something...
 ??  ?? Mark Joseph Alminanza of Zambales’ “Pinay BRAILLEian­t” Braille code. “It’s my advocacy to let fashion be appreciate­d by everyone regardless of gender, religion, culture, and most of all physical disability such as blindness.”
Mark Joseph Alminanza of Zambales’ “Pinay BRAILLEian­t” Braille code. “It’s my advocacy to let fashion be appreciate­d by everyone regardless of gender, religion, culture, and most of all physical disability such as blindness.”
 ??  ?? Jonah Bengt Enrique of Davao’s “Evolution” magnifies proportion­s to showcase his textile ingenuity, weaving photolumin­escent fibers and hair- thin stainless steel wires with piña, abaca, and silk. “This gives a new life to our country’s indigenous...
Jonah Bengt Enrique of Davao’s “Evolution” magnifies proportion­s to showcase his textile ingenuity, weaving photolumin­escent fibers and hair- thin stainless steel wires with piña, abaca, and silk. “This gives a new life to our country’s indigenous...
 ??  ?? Rafael Mejia of Manila’s “Goddess Rising” maintains a modest silhouette but extends the butterfly sleeves into a cape. “These Filipinas are not mere followers of trends but are confident enough to set one themselves.”
Rafael Mejia of Manila’s “Goddess Rising” maintains a modest silhouette but extends the butterfly sleeves into a cape. “These Filipinas are not mere followers of trends but are confident enough to set one themselves.”
 ??  ?? Nino Dominic Angeles of San Juan’s “Sipag” adheres to the classic Filipinian­a silhouette but spices it up with chips on the neckline and traditiona­l embellishm­ent from Lumban, Laguna.
Nino Dominic Angeles of San Juan’s “Sipag” adheres to the classic Filipinian­a silhouette but spices it up with chips on the neckline and traditiona­l embellishm­ent from Lumban, Laguna.
 ??  ?? John Michael Dimacali of Pampanga is “Weaving Today’s Terno” with a vignette inspired by the furniture weaving technique solihiya into structured cage pieces. “Using indigenous materials is an eye-opening experience because our materials and...
John Michael Dimacali of Pampanga is “Weaving Today’s Terno” with a vignette inspired by the furniture weaving technique solihiya into structured cage pieces. “Using indigenous materials is an eye-opening experience because our materials and...

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