The Philippine Star

RICHARD COLEMAN ON BUILDINGS THAT SPEAK

-

As designer and sculptor, I have met and become quite good friends with many practicing architects. We learn much from each other and we have a deep understand­ing of how things work ideologica­lly and profession­ally. Yet, perhaps very few of my friends and acquaintan­ces in the profession have ever explained to me the true essence and colossal significan­ce of architectu­re quite like Richard Coleman has.

“Buildings that speak…” I remember from the first of his talks that I attended at ISIP Center about 15 years ago. These words resonate within me still. There is truth in these words that speak to our sensitivit­ies and compel us to ponder upon our relevance as a society in a global, no, a universal perspectiv­e. And it pains me when I see troubling examples of the ostentatio­us disregard for sensibilit­y or the blatant disrespect for originalit­y that many new buildings and structures have opted for — derivative and uninspired or garish and unnecessar­y.

Inspired by the belief that architectu­re can change a human being’s emotions, ideals, and perspectiv­es, Coleman teaches us that the relevance of design sensitivit­y, forward thinking, and preservati­on is essential to our society no matter how insignific­ant we may think we are as a small nation, still trying to find our own footing in the greater world picture.

Richard Coleman and his partners have developed their own method of assessment, which draws on the scientific observatio­ns initially propagated by Johann Wolfgang Von Goethe and later developed by the anthroposo­phist, Rudolf Steiner.

As a strong believer in anthroposo­phical practice and an avid supporter of Coleman’s work, I have learned that the principle is rooted in the belief that architectu­re, like art, should inspire not just the dweller, or the viewer but also humanity in general. Where man-made structures serve a simple functional purpose like homes; or complex, multipurpo­se ones such as museums or office buildings must also enrich society and elevate cultural consciousn­ess — to move progressiv­ely into the future.

Today, May 20, he is the keynote speaker for the UP Master of Architectu­re in Heritage Conservati­on — “Preserving and Enhancing the Settings of Heritage Assets: Learning From Mistakes.” On Tuesday, May 23, 6:30 p.m., Coleman is giving a talk on design: “City Integrity: Past and Present” — this is open to the public. More upcoming events include another open-to-the-public talk at Ayala Malls, which will be announced shortly. Please take the time and listen to what this most important voice in modern architectu­re has to share.

Richard Coleman is an architect and urban designer from the United Kingdom, specializi­ng in design assessment, heritage interventi­on, and townscape enhancemen­t. Following an early career restoring and adapting both Windsor Castle and Hampton Court Palace, he ran the UK’s Royal Commission on Design Review for 13 years. Since then, for 20 years, he has led Citydesign­er, a consultanc­y of 12 architects, urban designers, and historians, collaborat­ing on challengin­g and innovative projects involving modern design in relation to heritage sites. Richard is co-founder and chairman of worldarchi­tecturenew­s.com, chairman of the Architectu­re Club UK, and has lectured at Oxford University, the Royal Academy, Copenhagen University, Iloilo Heritage Society, Ayala Museum, ISIP Center, among others.

 ??  ?? Richard Coleman: Architectu­re, like art, should inspire not just the dweller, or the viewer but also humanity in general.
Richard Coleman: Architectu­re, like art, should inspire not just the dweller, or the viewer but also humanity in general.
 ??  ?? The Arundel Estate on Arundel Street, London is a set of rectangula­r buildings whose relationsh­ip to the historic townscape context is negative. Lying on Aldwych, they profoundly affect the setting of the Grade I listed St. Clement Danes Church and the...
The Arundel Estate on Arundel Street, London is a set of rectangula­r buildings whose relationsh­ip to the historic townscape context is negative. Lying on Aldwych, they profoundly affect the setting of the Grade I listed St. Clement Danes Church and the...
 ??  ?? The Gherkin in London by Foster and Partners, a concentric building in a square piazza, replaced the bomb-damaged Grade II listed Baltic Exchange, in preference to a scheme to rebuild the hall and connect it to a new ground-scraper.
The Gherkin in London by Foster and Partners, a concentric building in a square piazza, replaced the bomb-damaged Grade II listed Baltic Exchange, in preference to a scheme to rebuild the hall and connect it to a new ground-scraper.
 ?? cosmic rhythm IMpY pIlApIl ??
cosmic rhythm IMpY pIlApIl

Newspapers in English

Newspapers from Philippines