The Philippine Star

It’s fiesta time!

- By SUSAN ARCEGA

FESTIVITIE­S ARE THE ULTIMATE MODES OF SHARED EXPRESSION IN THE PHILIPPINE­S, AND THE FIESTA is a community’s eternal moment – with townsfolk bringing the past, present and future together in kinship and, often enough, in hedonistic merry-making. For a few days, fiesta crowds become an organic whole, united by a sense of belonging, of being related to everyone, in being part of rituals that one’s instinct readily understand­s, and by losing oneself in a lavishness that knows no bounds.

Filipinos will always find a reason to celebrate. But a fiesta defines the Pinoy’s complex psyche – at once religious and pagan, gustatory and olfactory, verbal and visual, theatrical and bacchanali­an. Fiesta activities vary from place to place, but the staple components include a colorful parade, religious ceremonies, street games, beauty pageants, concerts, dance contests, drinking sprees, videoke bouts and an overflow of food and drink that visitors can partake of from house to house. And so it was that Fred Elizalde, chairman of Manila Broadcasti­ng Company, thought of presenting the country’s most popular festivals in one setting: the Aliwan Fiesta.

Now on its 16th year, the sizzling summer spectacle is the biggest convergenc­e of festivals from north to south of the archipelag­o – a virtual cornucopia of sights and sounds that underscore the network’s massive grassroots reach, even to the most remote parts of the country.

With its annual draw of 5,000 active participan­ts per year, distribute­d in the street dance, float and beauty pageant categories, Aliwan is solid proof that the creative energy that envelops the visually spectacula­r Philippine festivals is grassroots theater at its very best. The talent, physicalit­y and buoyant performanc­es are solid manifestat­ions of a communal spirit that finds fruition in pomp and pageantry, with regional difference­s also underscori­ng the importance of being true to one’s identity. Indigenous music is often highlighte­d in the street performanc­es that mark the different town fiestas all over the archipelag­o. Folk tunes continue to provide the core of street beats, and live musiciansh­ip is still given a premi- um in many places throughout the country. Whether it’s the marching band with its solid array of brasses, or its counterpar­t musikong bumbong, the municipal drum and lyre ensembles or innovative takes on pipe music using PVC tubes and rubber slippers... we recognize the same flair and panache for which Filipino musicians have earned respect and critical acclaim worldwide. This year, Aliwan Fiesta opens on April 26 with a shoppers bazaar featuring an array of regional products. At six in the evening will be a band concert and variety show called the Pasakalye that will take place on the stage outside the Aliw Theater. By 8 p.m., Star Theater, in turn, comes alive as BBC World Service Radio records their program “The Arts Hour on Tour in Manila.”

On April 27, the loveliest festival muses will compete in the search for Reyna ng Aliwan. And finally, on Saturday, April 28, kicking off at the Quirino Grandstand will be the float parade and street dance competitio­n, which will traverse the stretch of Roxas Boulevard all the way to the CCP Complex, where the final showdown will be held, followed immediatel­y by the awarding ceremonies.

Tao po – namimiyest­a po!

 ??  ?? Parade floats from Cotabato City (above) and Quezon (right) highlight diverse cultures and vibrant colors. A masskara-clad dancer leads Bacolod’s entry to the street parade (below).
Parade floats from Cotabato City (above) and Quezon (right) highlight diverse cultures and vibrant colors. A masskara-clad dancer leads Bacolod’s entry to the street parade (below).
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