The Philippine Star

Asian Cultural Council and León Gallery make the future of art possible

- CARLOMAR ARCANGEL DAOANA

For many artists, especially those who are just beginning to establish their practice, a grant from the Asian Cultural Council (ACC) is a boost to their creativity as it gives them the time, space, and resources to pursue research, study, or creative work in the United States as well as in other key countries in Asia. For those who became recipients of what is officially called the ACC Philippine Fellowship Program, many would say that the opportunit­y was an eye-opener as it enabled them to experience firsthand an internatio­nal view of the art world, meet artists from different cultures, and practice their craft within robust artistic contexts such as New York City.

“We have been giving grants to Filipino artists since 1963,” states Teresa Rances, program director of ACC Philippine­s. Its roster of grantees includes National Artists such as Jose Joya (visual arts); Lucrecia Kasilag and Jose Maceda (music); and Kidlat Tahimik (film). The formal establishm­ent of the ACC Philippine­s Foundation Inc. in 2000 has allowed the organizati­on to “give more grants to Filipino artists. And I am proud to say that since from the year 2000 until now, we have given over a hundred grants to Filipino artists.”

Just like any foundation, ACC Philippine­s conducts different fund-raising activities — from exhibition­s to performanc­es — to support its grant-giving initiative­s. One such event was “Portraits by Andres Barrioquin­to” unveiled at the National Museum in November of last year. A more regular collaborat­ion is the annual auction held in tandem with Leon Gallery that has been going on for five years straight. Dubbed as the Asian Cultural Council Art Auction, it is slated on Feb. 23 (Saturday), 2 p.m., at the León Gallery headquarte­rs at Eurovilla 1, Legazpi Village, Makati City.

Some of the works that will be auctioned off are the cre- ations of ACC grantees that include Ambie Abaño, Anton del Castillo, Noel Soler Cuizon, Dexter Fernandez, Riel Hilario, Leeroy New, and Samuel Penaso. Both Abaño and Fernandez extol ACC Philippine­s’ role in broadening their worldview. “Their support to my artistic developmen­t was so empowering because it exposed me to new environmen­ts and created opportunit­ies to engage with other artists from all over Asia and beyond,” says Abaño, one of the most notable printmaker­s working today, in statement.

Fernandez, a street and multimedia artist, states that the opportunit­y “gave me the privilege to understand and see what is really going on in the internatio­nal scene; both art practice and life… My perspectiv­e has also become broader yet focused in one direction. The saying, ‘we must leave, in order to arrive’ greatly resonated within me after my six-month residency in United States because I have known myself more.”

“It brings out the best in these selected artists… and it elevates them to another standard,” affirms Mercedes Zobel, a trustee of ACC Philippine­s. “They have an opportunit­y to get to an internatio­nal status…When they come back, they have a lot more exposure and they can probably influence (other artists), and that’s exciting. The art world develops in many ways.”

Jaime Ponce de Leon, the director of León Gallery, shares the vision of ACC Philippine­s as the foundation, through its grants, “improves the output of every artist.” The ACC Art Auction, he adds, is an important leg to León Gallery’s quarterly auctions. Sold last year at a staggering P112 million was “Space Transfigur­ation” by Jose Joya — currently the record-holder as the most expensive modern Philippine work. Joya, it must be said, was one of the first ACC grantees, then known as the Asian Cultural Program of the John D. Rockefelle­r (JDR) 3rd Grant.

For Maribel Ongpin, president of ACC Philippine­s, the foundation’s reach goes beyond the borders of the art world, into the larger sphere of culture and country. “(The foundation) is actually nation-building because it reinforces our identity,” says Maribel Ongpin. “It tells where we are coming from and where we are going.”

*** A special preview of the auction pieces starts on Feb. 20 at the León Gallery, G/F Eurovilla 1, Rufino Corner Legaspi Streets, Legaspi Village, Makati City; while the ACC-Leon Gallery booth awaits visitors and patrons during the Art Fair Philippine­s at The Link on Feb. 21 to 24.

 ??  ?? Now in its fifth year, the Asian Cultural Council Art Auction of León Gallery will feature a roster of exciting works — from historical documents to works by modernist masters. From ACC Philippine­s and León Gallery are (top row) Dr. Joven Cuanang, Malu Gamboa, Rajo Laurel, Leoń Gallery curator Lisa Guerrero Nakpil; (bottom row) ACC program director Teresa Rances, Mercedes Zobel, president Maribel Ongpin, ACC grantees Yeyey Cruz and Russ Ligtas, and Leoń Gallery director Jaime Ponce de Leon.
Now in its fifth year, the Asian Cultural Council Art Auction of León Gallery will feature a roster of exciting works — from historical documents to works by modernist masters. From ACC Philippine­s and León Gallery are (top row) Dr. Joven Cuanang, Malu Gamboa, Rajo Laurel, Leoń Gallery curator Lisa Guerrero Nakpil; (bottom row) ACC program director Teresa Rances, Mercedes Zobel, president Maribel Ongpin, ACC grantees Yeyey Cruz and Russ Ligtas, and Leoń Gallery director Jaime Ponce de Leon.
 ??  ?? To be auctioned off is “Malaya” (woodcut on textile) by Ambie Abaño, an ACC grantee
To be auctioned off is “Malaya” (woodcut on textile) by Ambie Abaño, an ACC grantee
 ??  ?? Another work in the ACC Art Auction is “Barred in the Wilderness” (acrylic, ink, thread on paper) by Dex Fernandez, also an ACC grantee.
Another work in the ACC Art Auction is “Barred in the Wilderness” (acrylic, ink, thread on paper) by Dex Fernandez, also an ACC grantee.
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