The Philippine Star

Mikhail Red on Mikhail Red

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Who else can better talk candidly about Mikhail Red than Mikhail Red himself?

“As a filmmaker and storytelle­r, I grew up in Manila, the capital of a predominan­tly Catholic country. I personally studied in a Catholic exclusive all-boys school for eight formative years. The school setting is fascinatin­g, serving as a parallel world of adult society that comes after it. In our school, faith and prayer are woven in with the curriculum which served as a foundation for our morals and principles. The belief in the afterlife served as a breeding pool for the acceptance of the supernatur­al.

“Substantia­l help for students going through the trials of adolescenc­e remains elusive. I believe with the film, I am able to smuggle in these critical issues and layer it through the horror genre narrative. The perfect integratio­n makes it easier to be digested by the targeted youth and a much wider audience. In the end, Eerie is a story of people caught between the haunting of the supernatur­al and the natural frailties of the world.”

At 21, Mikhail wrote and directed his first feature film, Rekorder, which had its internatio­nal premiere at the Tokyo Internatio­nal Film Festival (TIFF). His sophomore feature film, Birdshot, won the top prize of the Asian Future section of the 2016 TIFF and became the official selection of the Philippine­s to the 2018 Academy Awards. Birdshot was later acquired by Netflix, becoming the first Filipino film to stream locally and internatio­nally. In 2017, Mikhail’s Neomanila premiered at the 47th Rotterdam Internatio­nal Film Festival (RIFF).

 ??  ?? Red with Charo and Bea Alonzo: Afterlife serves as a breeding pool for the acceptance of the supernatur­al
Red with Charo and Bea Alonzo: Afterlife serves as a breeding pool for the acceptance of the supernatur­al

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