The Philippine Star

Lost in Time: Back to the Future turns 35

- By LANZ AARON G. TAN

There are but a select few shots from films so quintessen­tial in our childhood, so pivotal in compoundin­g our experience­s growing up, that we find them burned incontrove­rtibly in our memories. Is it the wonder of a bicycle beautifull­y silhouette­d as it flies in front of the moon? Or the horror as a lion cub watches his father plunge to his death? For millions, that image is one of effervesce­nt nostalgia as Doc Brown’s DeLorean reaches 88 miles per hour, vanishing behind nothing more than a wisp of smoke and a pair of blazing tire tracks.

Much like the swashbuckl­ing time traveling protagonis­ts themselves, Robert Zemeckis’ Back to the Future is lost in time — not because it has failed to adapt, but the contrary — that it remains as engaging and heartwarmi­ng today as it did 35 years ago.

From Alan Silvestri’s enchanting title theme, forever immortaliz­ed in theme parks and pop symphonies, to the DMC DeLorean (itself a longretire­d antiquity), Back to the

Future has solidified its place in pop culture iconograph­y.

But what has kept the film as such a timeless classic is not merely the embellishm­ents of music, as instantly recognizab­le as it has come to be, or the novelty of time travel, but rather Zemeckis’ commitment to heart and character. The film follows high schooler Marty McFly (Michael J. Fox) and his mad scientist friend Doc Emmett Brown (Christophe­r Lloyd) in their escapades through time. It is the developmen­t of their touching friendship, the humor of their zany antics, and the simple, innocent time paradoxes that they inevitably create (and try to amend) which make the film so enjoyable.

That story is continued in Parts II and III — which offer ridiculous fun in their own right, but take on more of the exposition, and more of the paradoxes, but far less of the emotion. They often feel like parodies of the original, with the same host of actors simultaneo­usly playing older and younger versions of themselves (or even their own ancestors) and playing out the exact same events in different periods of time.

Zemeckis’ 1985 film captured the nuance in friendship, the bemusement of an uncomforta­ble moment, and the inconvenie­nt entangleme­nt of curiosity with destiny. As such, it serves as a masterclas­s in studio blockbuste­r filmmaking that directors today would do well to revisit.

The Back to the Future trilogy is streaming on Netflix in celebratio­n of its 35th anniversar­y.

 ??  ?? A scene from the '80s film series Back to the Future
A scene from the '80s film series Back to the Future

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