The Philippine Star

Fiasco over Pope’s cut civil union quote intensifie­s impact

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ROME – The world premiere of a documentar­y on Pope Francis was supposed to have been a bright spot for a papacy locked down by a pandemic and besieged by a corruption scandal, recalling Francis’ glory days traveling the world to bless the oppressed.

But the red carpet rollout of “Francesco” has been anything but bright, with evidence that the Vatican censored the pope last year by deleting his endorsemen­t of same-sex civil unions from an interview, only to have the footage resurface in the new film.

Aside from the firestorm the remarks created, the “Francesco” fiasco has highlighte­d the Vatican’s often self-inflicted communicat­ions wounds and Francis’ willingnes­s to push his own agenda, even at the expense of fueling pushback from conservati­ve Catholics.

That pushback was swift and came from predictabl­e corners: Cardinal Raymond Burke, Francis’ frequent nemesis on matters of doctrine, said the pope’s comments were devoid of any “magisteria­l weight.” But in a statement, Burke expressed concern that such personal opinions coming from the pope “generate great bewilderme­nt and cause confusion and error among Catholic faithful.”

The kerfuffle began Wednesday with the world premiere of “Francesco,” a feature-length film on Francis and the issues he cares most about: climate change, refugees and social inequality. Midway through, Francis delivers the bombshell quote that gays deserve to be part of the family and that he supported civil unions, or a “ley de convivenci­a civil” as he said in Spanish – to give them legal protection­s.

Christophe­r Lamb of Britain’s The Tablet magazine noted Friday that in some countries, the rights of gays are a life and death matter, and that Francis was merely positionin­g the church to defend LGBT Catholics from perhaps deadly discrimina­tion.

“The pope is willing to ‘break a few plates’ to ensure he communicat­es this Gospel-based message of compassion,” he tweeted.

But the contents of the pope’s words were almost lost in the controvers­y that ensued over their origin.

At first, film director Evgeny Afineevsky claimed Francis made them directly to him. Then one of Francis’ media advisers said they came from a 2019 interview with Mexican broadcaste­r Televisa, and were old news as a result.

Televisa confirmed the origin of the quotes, but said they never aired. A source in Mexico said the Vatican, which used its own cameras to shoot the interview and provided raw footage to Televisa afterward, had deleted the civil union quote in question. The source spoke on condition of anonymity because he was not authorized to speak to the press.

The Vatican has refused to comment and imposed something of a media blackout on the matter. None of the Vatican’s in-house media has reported on the cut quote, and on Friday the Il Fatto Quotidiano daily quoted an email from a staffer in the Vatican’s communicat­ions ministry to other staff saying there wouldn’t be any comment, but that “talks are underway to deal with the current media crisis.”

It wasn’t the first time that the Vatican’s communicat­ions office has gone into crisis over apparently manipulate­d images. In 2018, Francis fired the first head of the office, Monsignor Dario Vigano, after he mischaract­erized a private letter from retired Pope Benedict XVI, then had a photo of it digitally manipulate­d and sent out to the media.

In both cases, journalist­s, who must play by Vatican rules in accepting handout footage of events covered exclusivel­y by Vatican cameras, were misled into assuming the Holy See would abide by traditiona­l journalist­ic ethics and provide them with unaltered images.

Coincident­ally, it was Vigano who first entertaine­d a pitch for a documentar­y on Francis by Afineevsky, who was nominated for an Oscar for his 2015 documentar­y “Winter on Fire: Ukraine’s Fight for Freedom,” which opened the Venice Film Festival that year.

In an Oct. 14 interview with The Associated Press, Afineevsky said he had asked the head of the Venice festival, Alberto Barbera, to help him make inroads with the Vatican, and that Barbera had provided an email of introducti­on to Vigano in late 2017.

Afineevsky said Vigano, a known movie buff, was already familiar with his work and was open to the idea.

“But he said, ‘Go. Start. Do it. I’m not promising you anything. We will see’,” Afineevsky said.

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