The quick brown fox
Examining the machine in front of him, Monching could understand why it had ended up in his shop. There weren’t too many people like him left in the city – or the entire country, for that matter – and he had been told he was the best of them, which he brushed off with a shy smile but happily acknowledged. At 62, he was also the oldest Manileño he knew still fixing typewriters – well, there was Mang Torio who was in his late seventies, but he had stopped five years earlier when his daughter landed a job in Dubai as a cashier in a shoe store. And besides, Mang Torio really couldn’t work on anything more complicated than a 1970s Olympia Traveller or Lettera 32 when he retired.
The older man had an encyclopedic mind and Monching could still remember running to him when he was having problems he couldn’t sort out himself, like a Corona platen that felt too long (“Washer – washer could be too thick,” Mang Torio would say. “Or you can try filing down the carriage end bushing.”) But you needed good eyes and steady fingers to stay on the job, and Mang Torio had lost his touch when his wife died and he began drinking. At first, Monching shared a few bottles with him to commiserate with his mentor but he stepped back when he saw the old man sinking into an emotional abyss. Soon he was taking over Mang Torio’s jobs just to save his face.
Now he was hunched over what looked like a bucket of rust, but he knew that beneath all that pockmarked paint was one of the most beautiful typewriters ever made – a mid-1950s Underwood Quiet Tab De Luxe, a two-tone model with sexy curves, like a rich man’s car. As its name suggested, it was top of the line among Underwoods of its time. In his mind Monching could see it gleaming with new paint and chrome after the requisite stripdown and rebuild. It had been brought in by an interior designer who was thinking of using it as a prop – she had found it among her grandfather’s effects on a visit home to Mabitac – but Monching had cleverly persuaded her to take a portable Brother 200 repainted in yellow in trade for the hulk.
He knew what they wanted, young people who looked for “delete” buttons and giggled when they heard the bell “ping!” and who couldn’t care less if the typeface was pica or elite; they bought them for décor, an accent piece suggesting a connection to a golden age they never knew. There were years when it seemed like no one needed typewriters anymore other than the sidewalk clerks who helped make fake IDs and official-looking papers, but now they were back in fashion. Monching knew that the Underwood could fetch a premium price once he’d fixed it up.
As he tapped the keys to see if they would even budge, he saw something unusual on the TV that was constantly on in a corner of his shop. He didn’t really care what program was showing. He just needed the tinny chatter in the background to help him concentrate on his pawls, draw bands and adjustment screws. But today all the channels were carrying the same thing, the live broadcast of the new president being sworn into office.
Monching had voted for the man, like his church elders had told him to do. He had no opinion of him, one way or the other, except to note the familiarity of the name and the implication that he knew more about the job than anyone else. Mang Torio, the last time they met, was all upset and kept mouthing off about how, back when the man’s father was president, he had been clubbed and dragged to jail for joining a rally protesting police corruption and extortion, so he wanted to vote for another candidate but couldn’t leave his house.
Monching would have none of that nonsense. He wanted a simple and uncomplicated life, just doing what he knew best; bringing machines that had typed their last words half a century earlier back to working condition. Most had produced office reports, term papers, affidavits, inventories, and such; others wrote love letters, or cut mimeograph stencils for anti-government propaganda. Monching didn’t think much about their past. He was happiest when, done with a reassembly, he could put a drop of 3-in-1 oil (“Never WD-40, it will dry up and stick!” said Mang Torio) between the Shift and Shift Lock keys, check that they worked, feed a fresh sheet of paper into the platen, and peck out “The quick brown fox jumps over the lazy dog.” It was beauty and order restored.
He watched as a column of armored vehicles rolled across the TV screen in a show of military might. He wondered how old they were and if they had been refurbished and repainted like his machines. He found himself wishing that people were as easy to fix; Rita wasn’t, and so he left, and had led a quiet life since, sleeping on top of his shop. He had tried to train some apprentices, but no one stuck, preferring to sell dishwashers or to drive ambulances. Only the skeletons of Corona 3s, Hermes Medias, and Remington Model 5s kept him company. He kept his shop floor tidy, picking up the tiniest screw.
Mang Torio’s life, on the other hand, was messy beyond belief. Three wives, children whose names he’d forgotten, a stint on a cruise ship that sank in the Adriatic, sudden wealth, gambling, prison (where he learned typewriter repair), walking the straight and narrow and then descent into the bottle. Over gin, the man dithered between memory and regret, and now and then, a vain hope for something different.
On the TV, a crowd of protesters struck out at the new president, like jagged letters leaping from an unadjusted keyboard. When he was done with the Underwood, Monching promised, everything would be in line, all crisp and clear.