The Philippine Star

SQUID GAME ’S EMMY SUCCESS HAILED AS ‘NEW HISTORY IN K-DRAMA’

- (This article originally appeared in The New York Times.)

SEOUL, — First it was the movie Parasite. Then Yuh-Jung Youn, the star of Minari. Now, Squid Game.

The dystopian Netflix drama’s success at the Emmys — including the top acting prize for its star, Lee Jung Jae, a first for a foreignlan­guage show — was greeted with cheers in South Korea and hailed as the latest example of the country’s rise as a cultural powerhouse.

Major Korean news outlets such as MBC and Yonhap made the news the lead story on their websites. Chosun Ilbo, one of the country’s largest newspapers, said Squid Game had written a “new history in K-drama.”

“It seems like South Korean production­s are getting more and more recognized internatio­nally, which makes me excited,” said Lee Jae, a commercial producer in Seoul, who bingewatch­ed the series as soon as it came out last year.

Squid Game, a nineepisod­e survival drama by the South Korean director-writer Hwang Dong Hyuk, became a global phenomenon, thanks to its candycolor­ed sets and searing critique of capitalist society. The show, which was produced by Netflix and released in September 2021, became its most-watched series ever.

The drama is centered on a competitio­n in which 456 deeply indebted people are pitted against one another to the death for a cash prize of nearly $40 million. Players must advance through several rounds of supercharg­ed children’s games, such as tug-of-war and red light green light, in order to win. Losers are instantly killed.

The show’s popularity set off a Halloween costume frenzy for green tracksuits, pink boiler suits and black masks to dress as the show’s players and guards.

The show’s blunt commentary on a deeply unequal society and moral bankruptcy found resonance beyond South Korea, tapping into a frustratio­n over wealth disparitie­s that is familiar to people around the world.

“It deals with the issue of this growing global trend of the widening gap between the rich and the poor, and this phenomenon is not unique to Korea — it’s something that the internatio­nal community is going through collective­ly,” Lee, the show’s star, said in July.

At the time, the series outperform­ed other popular non-English shows like Money Heist and Lupin, according to Ted Sarandos, a cochief executive officer and chief content officer for Netflix. At a business conference last year, he said that Squid Game was “blowing past all of them.”

The show’s success is the latest in a string of internatio­nal accolades for South Korean production­s that have explored themes of inequality and economic struggle.

In 2020, Parasite, the class satire directed by Bong Joon Ho, became the first foreignlan­guage movie to win the Academy Award for Best Film. Last year, Youn, a veteran Korean star, won the Best Supporting Actress Oscar for her role in Minari, the film about a hard-luck family of Korean immigrants in rural Arkansas in the 1980s, when many poor Koreans headed to the United States for a better life.

Those earlier awards signaled a growing acceptance of foreign-language production­s, said Daniel Martin, a film studies professor at the Korea Advanced Institute of Science and Technology. He said the success of Squid Game at the Emmys could be “a sign of hopefully a generation­al change.”

While audiences might “go back to not caring about non-English content, Squid Game’s win shows that viewers are receptive to Korean content, which is encouragin­g,” Martin said.

South Korea has emerged as an entertainm­ent juggernaut in recent years, captivatin­g internatio­nal audiences with K-pop bands such as BTS, as well as hit TV shows and critically acclaimed movies.

Most recently, Extraordin­ary Attorney Woo, a Korean feel-good show about a young autistic lawyer, has been the most watched non-English-language program on Netflix in the past several weeks.

Asia is an increasing­ly important market for Netflix. In the first three months of the year, as Netflix lost subscriber­s for the first time in a decade, Asia was the only region that showed growth, with Japan, India and the Philippine­s among the countries adding subscriber­s. In the second quarter, Netflix added 1.1 million subscriber­s in Asia.

For Squid Game, the Emmys are only its latest achievemen­t. In February, the drama scooped up multiple prizes at the Screen Actors Guild Awards, including lead performer honors for Lee and Jung Ho-yeon.

Lee, one of the most successful actors in South Korea, began his career as a model before starring in a number of hit Korean films, playing characters including romantic leads and cutthroat gangsters. His directoria­l debut, Hunt, an espionage thriller, was released in South Korea last month.

On social media and online forums, his fans poured on the praise after his Emmy win. One fan said on Twitter: “To South Korea’s Lee Jung-jae! Congratula­tions on winning the best lead actor. You are an actor who gives his all into his work and to his fans. I applaud you, someone whose hard work deserves such accomplish­ments.”

Another tweeted: “Wow, Lee Jung-jae won the award for best actor. He really is amazing.”

In his acceptance speech, Lee acknowledg­ed the support of his fans at home and their love for the show. “I’d like to share this honor with my family, friends and our precious fans watching from South Korea. Thank you!” he said.

 ?? ?? A behind-the-scenes photo from the making of Netflix’s Squid Game shows series creator and director Hwang Dong Hyuk (seated) and lead star Lee Jung Jae (standing, looking on). Hwang and Lee won the Emmy for drama series directing and top acting prize, respective­ly.
A behind-the-scenes photo from the making of Netflix’s Squid Game shows series creator and director Hwang Dong Hyuk (seated) and lead star Lee Jung Jae (standing, looking on). Hwang and Lee won the Emmy for drama series directing and top acting prize, respective­ly.

Newspapers in English

Newspapers from Philippines