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Metropolis Magazine, 30 май 2026

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ArticleMETROPOLIS

1. The clos­ing of issue no. 130 of METROPOLIS coin­cided with the con­clu­sion of the 79th edi­tion of the Cannes Film Fest­ival and the con­sec­ra­tion of Romanian film­maker Cris­tian Mungiu who, with «Fjord», secured his second Palme d’Or,...

METROPOLIS

ArticleTHE LADY

«The Lady» fol­lows the down­fall of Jane Andrews, Sarah Fer­guson’s former assist­ant. The min­iser­ies blends psy­cho­lo­gical drama with social com­ment­ary to explore class and iden­tity in a world where prox­im­ity to power never means true...

THE LADY

ArticleFRANCE AND ITS CINEMATIC RESISTANCE

With the pro­spect of pres­id­en­tial elec­tions in April 2027 that could pro­foundly reshape the French polit­ical land­scape, cul­ture has also become part of the debates and con­tro­ver­sies sur­round­ing the coun­try’s mul­ti­fa­ceted elect­oral...

FRANCE AND ITS CINEMATIC RESISTANCE

Article«MOULIN ROUGE!» AT 25: THE FILM THAT THREW GLITTER IN CANNES’ FACE

Twenty-five years ago, «Moulin Rouge!», dir­ec­ted by Baz Luhr­mann, opened the Cannes Film Fest­ival as though burst­ing into an opera house rid­ing a golden ele­phant, singing Elton John, Madonna, The Police and Queen with the con­fid­ence of someone...

«MOULIN ROUGE!» AT 25: THE FILM THAT THREW GLITTER IN CANNES’ FACE

ArticleA HEIST, BRAZILIAN-STYLE

By cre­at­ing a non-com­pet­it­ive side­bar devoted to com­edy, the BAFICI — Buenos Aires’ lead­ing film fest­ival — has turned the spot­light of the cinephile world onto «O Rei da Inter­net / The King of the Inter­net». Its cur­at­ors sought out comic...

A HEIST, BRAZILIAN-STYLE