Arab News

‘Wajib’ — a father and son bond on a road trip

- AFP Gautaman Bhaskaran Chennai AFP ‘Wajib’ is showing at Cinema Akil in Dubai from Feb. 22 – 28.

As many films have illustrate­d, male-female relationsh­ips are difficult. But those between fathers and sons can be equally problemati­c. Two closely linked men can be extremely touchy about their independen­ce. We have seen this, too, in films, and the latest drama from Palestinia­n writer-director Annemarie Jacir (“Salt of This Sea,” “When I Saw You”), “Wajib,” is a fascinatin­g study, set over the course of a single day, of how a father and his son develop a camaraderi­e.

Played by real-life father and son Mohammed and Saleh Bakri, the two characters — Abu and Shadi — drive around Nazareth on a winter’s day delivering invitation­s to the wedding of Abu’s daughter, Amal (Maria Zreik). (Palestinia­n custom requires that the father and son personally visit each relative and friend to deliver the cards.) As they travel in a ramshackle Volvo, the two men have time to bicker and provoke each other. There is also subtle manipulati­on from both.

What Jacir does with a flourish is to fill her plot with layers, and as the car trundles along, revelation­s pop out. We are let into one secret of how retired schoolteac­her Abu had to make compromise­s to keep his position in an Israelirun school. As a teenager, Shadi embraced more radical politics and saw his father as a sell-out.

Cut to the present, and we learn that Shadi’s girlfriend back in Italy, where he currently works as an architect, has a father who is known to be a Palestinia­n activist and intellectu­al — “a PLO leader,” according to the conservati­ve Abu, who sees such people as dangerous terrorists, while Shadi is proud of this associatio­n.

But the anger and hurt between the father and son go beyond political -isms.

Jacir’s 96-minute movie is not just all work and no play. The tension is often lightened with a touch of the comic. The writing is tight and precise; a little too antiseptic perhaps, but the multitude of characters from a variety of background­s — both Muslim and Christian — and their neatly observed mannerisms give the narrative great energy.

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Perry wore a gown by Lebanese designer Elie Saab.

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