Arab News

Wadia Sabra — the (almost) forgotten Lebanese star

- Rawaa Talass Dubai

On Oct. 28, a concert took place in Beirut honoring the late Lebanese composer Wadia Sabra, who died in 1952.

Sabra should — by rights — be renowned in his homeland. He wrote the Lebanese national anthem, establishe­d its first conservato­ry, and was reportedly the first to compose an opera in his native tongue. However, over the years, he has largely been forgotten. Now, Lebanese baritone Fady Jeanbart is trying to revive his memory.

Jeanbart was commission­ed to research the composer’s archive, which was donated to the Lebanese Musical Heritage Center by his family in 2016.

“Everything had been forgotten and lost because the family was hiding the archives for two main reasons,” Jeanbart told Arab News. “First, there were family feuds and then, when Sabra passed away, his wife asked the Lebanese government for a retirement pension, since Sabra was the founder and longest-standing director of the National Conservato­ire, but he got nothing, he died penniless. She was so frustrated that she hid everything.”

In 1892, when Sabra was just

16, he won a scholarshi­p to study music at the Conservato­ire de Paris, becoming the first Lebanese student at the renowned institutio­n, where the likes of Claude Debussy and Georges Bizet were educated.

A classical musician who added touches of oriental music to his repertoire, Sabra opened Lebanon’s first conservato­ry in 1910 (it is still open today). The 1920s was a productive time for him; not only did he set music to the words of the Lebanese anthem in 1927, but he also wrote an Arabic opera, “The Two Kings,” in the same year. Over the following decade, Sabra mainly composed French operettas.

This was all happening at a time when Lebanon was just emerging from long-standing Ottoman control, which ended in 1918. Through his music, Sabra contribute­d greatly to the forging of the young nation’s identity. “When he was born in 1876, there was no Lebanon,” said Jeanbart. “So, he is really symbolic of the birth of Lebanon.”

The recent Beirut concert featured Jeanbart, soprano Lara Jokhadar and mezzo-soprano Natasha Nassar, among others. They performed three operas, as well as the national anthem in its original key.

“The purpose was to shed light again on our past,” said Jeanbart. “It is important to remember it to know how to go forward.”

 ?? Supplied ?? Wadia Sabra at the piano with his adopted daughter Badia.
Supplied Wadia Sabra at the piano with his adopted daughter Badia.

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