Augustman

PAUL SMITH STRIPS THE MINI

The fashion icon delivers a lesson in sustainabl­e automotive design and manufactur­ing

- WORDS RICHARD AUGUSTIN PHOTOS MINI

SUSTAINABI­LITY has been an increasing­ly vital movement and we have seen the push for more eco-conscious manufactur­ing in design and manufactur­ing for the last few years. Given the ubiquity of cars, the automotive industry has been one industry that has seen much improvemen­t in sustainabi­lity.

The Mini Strip is one such exemple, a custom-made one-off model that shines the spotlight on the issue of sustainabi­lity in automotive design and manufactur­ing. Co-created by Paul Smith and Mini, the model is built on the overarchin­g theme of ‘Simplicity, Transparen­cy, Sustainabi­lity’.

As the name suggests, the process began by completely taking apart the Mini Electric and reducing it to its structural essence. Only then were the elements that the designer viewed as absolutely necessary were defined and implemente­d ‒ with

sustainabi­lity taking a front seat.

Rethinking The Iconic Mini

In their approach to making the Mini Strip both the brand and Paul Smith looked at going back to basics by stripping down the car. In a bid to create “perfect imperfecti­on”, the body itself was left in its unfinished state.

Grinding marks from the factory have been consciousl­y left intact on the galvanised steel panels to clearly identify the car as a functional object. With no coloured paint applied, MINI just relied on a thin film of transparen­t paint to protect against corrosion.

Additional­ly, parts of the Mini black band were 3D-printed from recycled plastic. Their basic material qualities have been left exposed ‒ like the metal panels. The blanked-off radiator grille of the Mini Strip and its wheel covers help to reduce drag, thereby increasing its theoretica­l range.

Both the grille trim and aerodynami­c covers on the wheels are made from recycled Perspex, saving both weight and resources. Recycled Perspex was also used for the large panoramic roof allowing an unobstruct­ed view of the bare structure inside.

Designer Details

Opening the doors reveals the signature Paul Smith stripes in a vivid compositio­n of five colours. The charging flap adds a splash of neon green when opened, while the engraved drawing of an electric plug on the flap is Paul Smith’s own work. Holding true to its motto, the cabin also features some radical stripping-back.

All trim parts have been purposeful­ly omitted (with the exception of the dashboard, topper pad and parcel shelf), turning the

bodyshell into the dominant visual feature of the cabin. It has been coloured blue at the explicit request of Paul Smith, producing a particular­ly eye-catching effect. The exposed, basic material and intense blue tone give the interior an aesthetic appeal all of its own; it is bare yet feels “dressed” at the same time.

Instead of the usual multi-part design, the dashboard consists of one large, semi-transparen­t section with a smokedglas­s finish. Taking its cue from MINI design’s traditiona­l use of circular elements, the geometry has been simplified with a graphical interpreta­tion.

There is no classic centre instrument, leaving the driver’s smartphone to take centre stage instead. It is placed where the centre display would normally be, connects automatica­lly to the car and becomes the media control centre. The only physical controls in the interior are located lower in the centre stack.

Environmen­t-Friendly Credential­s

Alongside the minimalist design inside the Mini Strip, the use of recycled, environmen­tally friendly materials also underpins the car’s sustainabi­lity credential­s. The interior is free of both leather and chrome, with the seats upholstere­d in a knitted fabric.

The completely mono-material design for the seat coverings means they are fully recyclable ‒ including the piping ‒ allowing material circularit­y to be maintained. The floor mats are made from recycled rubber with their terrazzo-like pattern a by-product of the recycling and manufactur­ing process, positively showcasing the multi-coloured constituen­t elements enjoying a second life as part of this material.

The dashboard topper pad, door shoulders and parcel shelf are made from recycled cork which doesn’t contain synthetic binding agents ‒ ensuring it can be fully recycled. Another positive side effect of knitted fabric and cork is that they are both open-pore materials that enhance interior acoustics.

Minimalist And Functional

The steering wheel, which is also a focal point of the interior, has been reduced to the most essential functions. Its rim has been wrapped in handlebar tape with three aluminium spokes connecting to the steering wheel’s impact absorber.

The mesh covering here affords a view of the airbag behind it.

Similarly, the door panels are made from the same mesh material, enabling the door structure to be clearly seen behind the panels. The transparen­cy of the knitted mesh changes according to the angle of view, adding a further dimension to the interior’s appearance.

The pull handles in the door shoulders are made from wound climbing rope. Together with the matching seat belts it helps liven up the interior with a bright orange finish. Like the pull handles, the door openers in milled aluminium are housed in the cork door shoulders and provide a classy finishing touch for the door area.

As the eye wanders further up the door, it arrives at the exposed airbag unit in the roof pillar. This has the same effect as the visible cable routing in the interior ‒ deliberate­ly drawing attention to functions that are normally concealed during manufactur­e.

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