Harper's Bazaar (Singapore)

Ageless Style: Iris Apfel

The 96-year-old style maven muses on her new book and the state of fashion with her old friend, Bergdorf Goodman’s Linda Fargo

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While working on my new book, Iris Apfel: Accidental Icon, I learned that I have more than 750,000 Instagram followers, which is quite amazing, as I’ve never even gotten an email address.“My” account is run by a woman named Paris who lives in Vienna, and I’m not quite sure where she gets the photos she posts of me. But I’m very happy if I can be of some help, because I think young people today need direction.They have to learn to be themselves, to develop a sense of curiosity, and not to live vicariousl­y through these characters with no personalit­y who they follow on social media.

You have a good pair of eyes; I’m sure you see the same things I do, Linda. Do you like it? Most people today don’t look very put-together or very pretty.They look like they fell out of bed or jumped out of a rag pile. I think athleisure is just ridiculous. It has its place if you’re at leisure or at a gym, but I think you owe it to your fellow man to look as pleasant as possible. It’s nice to feast your eyes upon something beautiful, not something that’s a mess. Recently I was at Le Cirque, and in walked this beautiful young lady, obviously from out of town. It was a Saturday evening, and she was all gussied up in a long dress. Her escort was nicely dressed too. But they were seated just across from two slobs, which spoiled the whole effect. If you want to lounge around, then don’t go out.

And those who do look nice all seem to be walking around in a uniform.Why would you want to look like everyone else when there’s such a big choice of things today? It’s hard to give blanket advice, but I just think that if everybody tries to be as selfrespec­ting and interestin­g as they can, it would be a better world. Use your head and think about other people and look in a mirror once in a while!

I think style is in your DNA, but it requires work.You can’t just sit there. If you have the possibilit­y of a great operatic voice and you don’t train it, nothing will come of it. So if you’re lucky enough to have potential, you should work at cultivatin­g it. I began when I was 11 years old. In those days, you had a lot of good fashion magazines and you could study them and really learn.Thank God we have Harper’s

BAZAAR left. It’s nice to know there’s someone older and wiser than me! Cultivatin­g your style is a process of trial and error:You find out who you are and what looks best on you and what to avoid. For example, the Chanel suit is a great fashion staple, but it’s just not for me. I prefer the Balenciaga balloon jacket. I like extreme cuts, but I don’t like a lot of embellishm­ent. I like to embellish beautiful, well-cut fabrics with my own accessorie­s. If you haven’t noticed, I’m an accessorie­s freak.

I think jewellery is the most transforma­tive of all accessorie­s. By just changing the kind of jewellery you wear with a little black dress, you can go from day to night. My mother taught me that if funds are limited, get a few well-cut basics and add personalit­y with jewellery.Through your choice of accessorie­s, you make them individual and make them your own.That’s advice from the depths of the Depression, but it still applies today.You can find bangles in flea markets that look wonderful with an haute couture dress. People will tell you that you can’t just go out and buy a piece of junk and put it together with something so precious. But I love to do that.

I see women today who don’t want to tell how old they are. That’s silly. At 96, I think that you should give thanks for every extra year you get. I’m not saying you should go around looking like an old hag, but I think it was Coco Chanel who said that nothing makes a woman look so old as trying desperatel­y to look young.There are no rules for what to wear when you’re old or young; it’s just a thing called being appropriat­e, which unfortunat­ely has gone out of the lexicon. If you’re 75, you shouldn’t wear a miniskir t or a deep décolletag­e. If I can carry it off, I still wea r the s a me clothes I once did. I s t i l l we a r the Norman Norell dress I wore on my first date with my husband, and that was 70 years ago. It’s a simple—and stunning—black dress, and luckily I’m more or less the same size as I was then.

I’m a g re a t bel i eve r in investment pieces, however it’s not just about price.You can look like a fashion victim and spend a fortune. I love the idea of working for the Home Shopping Network and Bergdorf Goodman at the same time.The selection I’ve curated for Bergdorf ’s includes some fabulous Ralph Rucci eveningwea­r, as well as fun furs, woven slippers and necklaces, and, of course, my signature glasses. I also believe that fast fashion is a blessing for young people today. If I wanted to experiment, it was a big, big decision. Back then, $35 for a dress was a lot of money, as I made $15 a week at my first job at Women’s Wear Daily, so sometimes I had to work more than two weeks to pay for it. Now you can go to H&M, Zara, any of those places and try things.There’s nothing like being able to buy it and wear it and see how you feel in it. Nothing takes the place of experience. ■

“I think young people today need to learn to be themselves, to develop a sense of curiosity, and not to live vicariousl­y through these characters with no personalit­y who they follow on social media.”

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It ’s all about the accessorie­s for Iris Apfel
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