Harper's Bazaar (Singapore)

Talking Points

From the worlds of Art, Culture, Travel and Design

-

Having been given carte blanche to redesign the Moët Impérial bottle, what did you set out to do?

I set out to bring a disruptive freshness. I wanted to conserve some of the truly iconic codes of the bottle, but played with colour and the label to make an impact. I changed the gold neck of the bottle to a deep shade of black, contrastin­g it with a new embossed label in white, to produce a design that suggests a blank slate, like a window into a future filled with possibilit­ies for those who dare step forward.

What are you most proud of about this collaborat­ion?

The balance of mutual values I managed to achieve for both Ambush and Moët & Chandon. The design encapsulat­es my pioneering spirit as a “rule-breaker” while maintainin­g a profound respect for Moët & Chandon’s time-honoured traditions of craftsmans­hip and transmissi­on of know-how, and a desire to put contempora­ry creation in the service of preserving nature. On my visit to Epernay, home to Moët & Chandon since 1743, I saw the devotion of its people to nature and to their precious terroir. This inspired me to select the World Land Trust to receive the support of the House, so that together, we could help preserve other terroirs around the world. World Land Trust’s mission is to support local conservati­on partners in their efforts to halt the destructio­n of ecosystems and to protect habitats where rare and endangered species still survive.

 ??  ?? Ahn putting the final touches to her design
Ahn putting the final touches to her design

Newspapers in English

Newspapers from Singapore