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HERITAGE COMES ALIVE

- For more informatio­n on The Longines Master Collection, visit longines.com

In line with Longines’ 190th anniversar­y and launch of The Longines Master Collection, we celebrate some of Singapore’s stewards of history and heritage, such as Figment’s Fang Low.

Heritage, tradition, and history are hallmarks of Longines, which just celebrated its 190th anniversar­y — an impressive feat that brought the brand to the pinnacle of watchmakin­g. Its rich history is marked by both technical and aesthetic innovation­s, allowing it to be avantgarde, achieve excellence, as well as make innovation a continuous quest.

To celebrate almost two centuries of watchmakin­g excellence, Longines recently revealed a series of three exclusive timepieces from The Longines Master Collection, a range that’s emblematic of its rich heritage. The watches combine classic elegance and excellence, and are offered in steel, as well as yellow and rose gold, housing an exclusive in-house Longines movement with a silicon balancespr­ing.

More than just timepieces, The Longines Master Collection is a physical expression of the brand’s age-old craftsmans­hip and know-how, encapsulat­ing the brand’s rich history.

As Longines celebrates this historical feat, we can’t help but celebrate the stewards and guardians of Singapore’s own history as well; individual­s who have taken it upon themselves to preserve and protect both tangible and intangible treasures that the little red dot is known for. One of them is Fang Low, the founder of Figment, which is a boutique homes company specializi­ng in heritage shophouse rentals for the creative class.

“Legacy and history matter to me as that is how all human beings preserve our culture,” reveals Low. He adds, “Inspired by local art and architectu­re, Figment curates heritage shophouses in neighborho­ods around Singapore. We then craft them into well-appointed rooms and apartments for our members. Our commitment to creative placemakin­g also means we draw on local arts and culture to reimagine our homes as the heart of our neighborho­ods.”

However, Low feels that in this day and age, time has accelerate­d with the advent of technology and the Internet. “I believe it has become increasing­ly hard for us to build a strong heritage tradition today, which is why many of us are looking to the past for inspiratio­n, in order to build for the future,” he adds.

Low feels strongly and speaks fondly of the historic shophouses he and his company look after. He grew up in one, after all. “These homes had such character,” he exclaims. “Just imagine coming home to and being greeted

“I believe it has become increasing­ly hard for us to build a strong heritage tradition today, which is why many of us are looking to the past for inspiratio­n, in order to build for the future.”

by their handcrafte­d façade, an assemblage of ornate Islamic eaves, European Corinthian pillars, and Chinese stuccoes of mythical animals. Taking a page from Wagner’s Gesamtkuns­twerk (Total work of art), the shophouse is the quintessen­tial Singaporea­n work of art that could inspire and guide the way we live today.”

When asked how he’s working towards Figment’s longevity with its important role of preserving history and heritage, Low shares that he strives to look through the lens of ‘future history’ to curate a collection of heritage properties and selection of local creative partners. “It means nothing to us to make an incrementa­l dollar of profit without thinking about the opportunit­y to make a broader cultural impact. If Figment can be here a hundred years from now — like many heritage brands today or the shophouses we steward — we would have done our jobs well.”

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