Robb Report Singapore

Set in Stone

The genesis of the Choo Yilin x The Majestic Hotel Kuala Lumpur capsule collection has its roots in our Southeast Asian heritage, with a strong focus on the designer’s gem-setting savoir faire.

- chooyilin.com

JADE HAS A reputation of being staid and oldfashion­ed, but a Singaporea­n jeweller is looking to subvert that notion. Choo Yilin establishe­d her eponymous jewellery brand 10 years ago with the ambition to make jade relevant for today’s woman. Instead of eschewing the nostalgic factor, Choo injects contempora­ry design elements that also harken back to our Asian heritage. Her most recent capsule collection is a collaborat­ion with the grande dame of Malaysia’s hospitalit­y scene, The Majestic Hotel Kuala Lumpur.

The link between a jeweller and hotel might seem tenuous at first, but they’re bound by a shared respect for their Asian heritage. The Majestic Hotel Kuala Lumpur first opened in 1932 and every nook of the heritage building has a story to share. Geraldine Dresier, VP of marketing for YTL hotels, explains:

“(The collaborat­ion) stemmed from the fact that I saw a lot of similariti­es between our brands in the way that we tell our stories, especially about the history and heritage of The Majestic Hotel Kuala Lumpur. Yilin also has a strong dedication to telling the history of where we come from and that our heritage should not be forgotten.”

The collection features four pieces – the Vintage Honeymoon Sautoir Necklace, two rings and detachable earrings – and is marked by the use of seed pearl halos that surround an ice jade cabochon. Dainty, delicate and sentimenta­l, the collection is reminiscen­t of the 1930s aesthetic. Says Choo: “The (design process) happened organicall­y. I was researchin­g a separate project about European history while I was working on this campaign and I came across old pieces of jewellery like the Victorian rings and sautoir necklaces, which were popular in the 19th century and the art deco era. It became easy to reference that.” There’s no instantly recognisab­le design motif or element that’s derived from the architectu­re or design of the hotel, and it’s a deliberate decision by Choo. She explains: “It’s about creating things that evoke memories and emotions and I think that’s a lot more abstract.”

The use of ice jade, too, is something that Choo features extensivel­y in her collection­s, as dark green jade can often be “old-fashioned”. She says: “The idea was to play with colours that we think young women would want to wear.” Adding to the collection’s mystical and sentimenta­l value is the rarity of ice jade. Essentiall­y, when a jade boulder is sliced, it can reveal up to 78 colours of the stone. Choo explains: “Green is the predominan­t colour. Out of 200 pieces of jade, you might have one piece of ice jade.”

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