Robb Report Singapore

The Answers With...

The curtains have lifted on Japan’s first W Hotel in Osaka – a beautiful hybrid of centuries-old Japanese tradition and playful, contempora­ry design, all of which was conceived by the worldaccla­imed Japanese architect.

- Words: Allisa Noraini Photograph­y: Kinji Kanno

OSAKA HAS REACHED a new pinnacle of chic with Japan’s first W hotel. And while barrier-breaking contempora­ry architects are a dime a dozen in the city, few to none bring to the table what Tadao Ando is able to – coming up with larger-than-life designs imbued with inimitable nuances of personalit­y and style.

With W Osaka, Ando is doing just that. You won’t find the brand’s signature, soft neon glow on the exterior. Instead, the new 337-key hotel bears a minimalist, jet-black monolith facade, a nod to the prudishnes­s of the Edo era.

Make no mistake though, W Osaka is still as fun, bright and lively as its counterpar­ts. Take a step in and you’ll experience a different world altogether; one that’s filled with origami-inspired design motifs, vivid feature walls and Kawaii Kokeshi wooden dolls. Take, for instance, the arrival tunnel that leads guests to the lobby; it’s adorned with 3,000 laser-cut circles that draw design cues from cherry blossoms and origami. Integrated lightings allow the feature tunnel to change its colour, depending on the season and time of the day. For sure, Ando is also sending a hidden message: never to judge a book by its cover.

What do you hope guests would be able to experience at W Osaka?

Tadao Ando (TA): I truly hope that guests of W Osaka will be able to immerse in the culture of the city. The architectu­re was designed to reflect the atmosphere of Osaka and also to harmonise with the surroundin­gs.

What are some of the biggest rewards you’ve picked up as an architect?

TA: One of them would be the numerous encounters with clients, artists and collaborat­ors, who are all incredibly enthusiast­ic and passionate. Architectu­re is one of the most beneficial profession­s for society. How many careers can combine structural and spatial compositio­n, while working with different specialist­s to create a unified entity of design? These skills don’t limit themselves to just buildings. The architect’s skills are beneficial in many ways, and that leads us to think about how our creative, managerial and coordinati­on skills can be applied to other fields. Over the years, I have also learnt that coordinati­on and collaborat­ion can lead to the creation of great things.

Why do societies need to appreciate meaningful design?

TA: Design is necessary to enjoy culture and the urban life.

What is your go-to snack?

TA: Unfussy food like oden or udon noodles.

What’s your hobby?

TA: Planting trees and greenery in my hometown of Osaka, where I currently reside.

City or mountains?

TA: City.

When are you happiest at work?

TA: As I am thinking and sketching.

What’s the first thing you do when you wake up?

TA: I exercise and walk around the city. I make it a habit to walk at least 10,000 steps a day.

How do you unwind after a long day?

TA: Boxing and training at the gym. I go to the gym every day to train. Architectu­re is a battle. You must always keep your senses sharp. In order to design spaces, you must be able to think clearly.

Training your mind as well as your body is important. The world of architectu­re and the world of boxing are similar in the way that you face every one of your projects on your own with a sense of tension.

Who is your idol and why?

TA: I consider one of my idols to be Le Corbusier. In my youth, I first laid eyes on his monograph in the art section of an old bookstore in Osaka. Immediatel­y, I felt in my bones, “This is it.”

It was too expensive to buy right away, so I saved my money and bought the book about a month later.

Your favourite childhood memory.

TA: The renovation of my childhood home from one storey to two storeys. I was moved by the carpenter’s enthusiast­ic dedication to build the extension by himself.

What’s a must-have in your carry-on luggage?

TA: My schedule book – I prefer this over any digital calendar – a memo pad and some pens.

Films or books?

TA: Both.

Are you a perfection­ist?

TA: It is hard to say.

What’s your go-to mood lifter?

TA: Reading a good book, playing sports, visiting museums and historical landmarks like shrines and temples.

Are you an early riser or a night owl?

TA: Early riser.

Good architectu­re...

TA: stays in your heart and mind forever. I hope that this will be the case with my recently completed project, Bourse de Commerce for the Pinault Foundation in Paris, which opened on 22 May.

I hope that this museum and W Osaka will become symbols to overcome the pandemic.

What’s one social cause you’re most passionate about?

TA: Supporting the next generation of Osaka’s children so that they can lead us into the future.

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 ??  ?? Top: W Osaka makes its presence felt in the city with its black monolith facade.
Above: larger-than-life geometry is a strong theme in the hotel.
Top: W Osaka makes its presence felt in the city with its black monolith facade. Above: larger-than-life geometry is a strong theme in the hotel.

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