Robb Report Singapore

Heritage Revolution

Omega CEO and president Raynald Aeschliman­n gives us his take on why the newest Seamaster is a celebratio­n of its many milestones.

- Words: Wei-Yu Wang

THE OMEGA SEAMASTER means many things. It refers to the iconic tool watch line that has been emblematic of Omega since 1948. But more specifical­ly, it also refers to a range of subcollect­ions that cast a wide net. There is the sportydres­sy Aqua Terra 150M, the tried-and-tested Diver 300M, the rugged Planet Ocean 600M, and a slew of vintage-inspired heritage models.

“We have so much of a history,” says Omega CEO and president Raynald Aeschliman­n, referring to the Seamaster and its progenitor­s. He could talk about countless examples in the Omega Museum at the manufactur­e’s headquarte­rs in Biel – such as Marine, the first industrial­ised waterproof watch, or SHOM, named for France’s Service Hydrograph­ique et Océanograp­hique de la Marine that specialise­s in undersea cartograph­y.

Much of that history travels with the Seamaster 300, which is part of the heritage line-up. The original model first appeared in 1957 as Omega’s first profession­al diver’s watch and now, over 60 years later, is expressed as a new generation with a touch of refinement. It is slightly slimmer thanks to the new domed sapphire crystal, and its thinner aluminium bezel gives it old-school polish. “Seamaster 300 has a very strong identity from the old days, but neverthele­ss has a timeless orientatio­n,” Aeschliman­n says.

He sees the new 300 as not so strictly bound by vintage designs. “The new watch is the same size,

by the way. It’s incredible to see that this 41mm is still the same size as the old 300, but it’s less of a vintage-looking watch,” he says. “It’s probably one of the most elegant Seamasters that we have.”

The dials have been revamped as a sandwich concept, involving a base layer holding the luminous material and a top layer with cutouts, resulting in markers that are recessed for added three-dimensiona­lity. The Arabic numeral typeface is inspired by Seamasters from the 1960s.

The central seconds hand is reintroduc­ed with a lollipop style for the stainless-steel models, which come with blue or black dials on a bracelet (S$9,300) or leather strap (S$8,800). Omega has also debuted an all-new alloy, Bronze Gold, for one other leather-strapped execution (S$16,550). Consisting of 37.5 per cent gold, the material boasts of the warm tone and desirable patination of bronze, but will not suffer from any unpleasant green oxidation. Aeschliman­n notes that some other bronze-based watches needed casebacks of different materials, or would have continuing problems, but this is not the case for Omega’s Bronze Gold. “It had to be Omega level. That’s why we searched for about two years for which kind of alloy we can make, to make it fabulous,” he says.

“That new alloy deserved a special piece and that’s when we took the Seamaster 300,” he adds. “So it’s a celebratio­n of our history, a celebratio­n of the future, because this alloy is very much of a revolution in the watch industry.”

The Arabic numeral typeface is inspired by Seamasters from the 1960s.

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 ??  ?? Above: Raynald Aeschliman­n has been with Omega since 1996.
Facing page: the bezel ring of the Bronze Gold model is in brown ceramic with
a diving scale in vintage Super-LumiNova.
Above: Raynald Aeschliman­n has been with Omega since 1996. Facing page: the bezel ring of the Bronze Gold model is in brown ceramic with a diving scale in vintage Super-LumiNova.
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 ??  ?? A new conical crown at the side of the case enhances the thinner look of the new Seamaster 300 Master Chronomete­r models.
A new conical crown at the side of the case enhances the thinner look of the new Seamaster 300 Master Chronomete­r models.

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