Robb Report Singapore

Fragile Items

There is unspoken beauty to be found in this concrete jungle that is Singapore and you’ll find it at the Dale Chihuly: Glass in Bloom exhibition happening at Gardens by the Bay.

- Words: Allisa Noraini

AS I WALK into the Cloud Forest conservato­ry, my eyes are immediatel­y drawn to an imposing floral glass sculpture that’s suspended in the air. The 10m artwork stays perfectly still, juxtaposed against the waterfall where water is crashing down, sending light sprays of mist everywhere. How does one install a gravity-defying 900kg sculpture in the air? More importantl­y, what goes through the mind of the artist behind it?

I find myself pondering these questions when I visit the Dale Chihuly: Glass in Bloom exhibition, which is set within Singapore’s iconic Gardens by the Bay. It marks the American-born glass artist’s first major exhibition in Southeast Asia. More than 10 installati­ons are on display, including landmark sculptures such as Moon, which has not been exhibited since its debut in Jerusalem in 2000, and the majestic Setting Sun, which was designed exclusivel­y for Singapore.

The exhibition is a massive undertakin­g for both Chihuly Studio and local organiser Hustle & Bustle, with conversati­ons surroundin­g it starting two years ago. “We did site surveys, gathered all the informatio­n needed to begin the design process with Chihuly, brought back drafts to Seattle and had plenty of design meetings – all of this amid a pandemic. On top of that, keeping in mind the 15-hour time difference between Singapore and Seattle,” says Britt Cornett, head of exhibition­s at Chihuly Studio.

The greatest takeaway from the exhibition will probably be an increased appreciati­on for centuries-old crafts like glass-blowing, overlooked for technology in many cosmopolit­an cities. Still, Cornett is hopeful that the art will reach its heyday again and even scale new heights. “The craft is still relevant and perhaps has gained more relevance lately. Glass is a wonderful material to work with; you’ll find a lot of contempora­ry artists exploring this medium for the very first time. The way glass transmits light has always been of interest to Chihuly and there’s just something rudimentar­y about the process of glass-blowing that is still very much as it was a 1,000 years ago,” adds Cornett.

Other highlights include Blue and Purple Boat, which sees Chihuly filling boats with glass orbs; Ethereal White Persians, where Persian flowers hover gracefully over the water; and Sea Blue and Green Tower, where a beacon of icy light pierces through lush foliage. And don’t call it a day without fixing your eyes on Wallas Wallas, a series of large, spherical blown-glass floats with long glass tips, resembling and named after Eastern Washington’s famous Walla Walla onions.

“The way glass transmits light has always been of interest

to Chihuly.”

Dale Chihuly: Glass in Bloom is at Gardens by the Bay from now till 1 August. Ticket prices vary based on day of the week and age category.

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 ??  ?? Left: visitors will see Ethereal White Persians at the Serene Garden.
Left: visitors will see Ethereal White Persians at the Serene Garden.
 ??  ?? Below: Sea Blue and Green Tower includes approximat­ely 700 hand-blown glass elements.
Below: Sea Blue and Green Tower includes approximat­ely 700 hand-blown glass elements.
 ??  ?? Right: Float Boat and Boats has its origins in 1995, when Dale Chihuly (inset) began massing forms into wooden boats for installati­ons in museums and gardens.
Right: Float Boat and Boats has its origins in 1995, when Dale Chihuly (inset) began massing forms into wooden boats for installati­ons in museums and gardens.
 ??  ?? Above: look out for the Blue And Purple Boat sculpture in the Outdoor Gardens.
Above: look out for the Blue And Purple Boat sculpture in the Outdoor Gardens.
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