Robb Report Singapore

THEN AND NOW

The tourbillon has come a long way in 220 years, but it is still intertwine­d with the Breguet name.

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At the time of the tourbillio­n’s patent in 1801 by the enigmatic Abraham-Louis Breguet, watchmakin­g as a craft was not that far removed from what it is today. But its intent was markedly different. Without quartz timing, atomic clocks or GPS-syncing smartphone­s, mechanical watchmakin­g was relied upon for accurate and reliable timekeepin­g.

The tourbillon was conceived as a potential answer to this challenge. Breguet’s idea was simple, at least in concept: if the balance wheel and escapement of a pocket watch was placed inside a constantly rotating carriage, the influence of gravity – a main contributo­r to systemic errors – would be nullified as the result was averaged over all positions. As theoretica­lly sound as it is, the practical benefit of the tourbillon is more doubtful. The complexiti­es of its constructi­on and function, as well as its energy requiremen­ts, meant that it is unlikely to outperform a simpler, better-built watch.

But this matters little to today’s watch fans, who have embraced the tourbillon as a mainstay high complicati­on. It is valued not for its timekeepin­g contributi­ons, but for its aesthetic and representa­tive ones. Its constant movement is a celebratio­n of a craft kept alive and instils in the wearer a connection to the inventive and ambitious spirit of 220 years ago.

The tourbillon thus lives across the watchmakin­g landscape. This includes Breguet, the company founded by Abraham-Louis and which still makes watches that bear his name. Breguet’s 21st-century tourbillon offerings channel the spirit of the original as tempered by over two centuries of technologi­cal developmen­t.

Its Classique Complicati­on line-up is littered with such examples, such as the Classique Double Tourbillon 5345 Quai de l’Horloge from last year. There are multiple patents involved in its constructi­on, and its two independen­t tourbillon escapement­s have an output averaged by the central differenti­al – and the whole mechanism rotates once every 12 hours, acting as its own hour hand. The year before that saw the Classique Tourbillon Extra-Plat Squelette 5395, which has a movement thickness of just three millimetre­s along with a patented high-energy barrel to feed its four-hertz beat rate. Other highlights from recent years include the Classique Tourbillon Messidor 5335, which mounted the tourbillon on sapphire plates to give the illusion of floating in mid-air, and the Tradition Tourbillon Fusee 7047 which is equipped with a fusee-and-chain transmissi­on and patented anti-shock system.

Abraham-Louis was known for many things across his remarkable career, but the tourbillon is arguably his most famous achievemen­t. The enduring appreciati­on of his labours and genius is evident on many a wrist.

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