Robb Report Singapore

STRUCTURE AND GRAVITAS

Grebel Forsey’s new tourbillon watch is a wearable ode to architectu­re.

- Words: Carol Besler Photograph­y: Alex Teuscher

UNCONVENTI­ONAL MOVEMENTS ARE Greubel Forsey’s stock in trade. Its calibre components are generally arranged in a 3D sculptural form on various planes with openworked dials. Lately, the brand has also been making unusually shaped cases part of its repertoire of distinguis­hing elements.

The case of the Tourbillon 24 Secondes Architectu­re (US$500,000) is shaped like a convex conical frustum. What on earth is that? Essentiall­y, it means a cone shape, and here it is manifested as a watch case, one that is wider at the caseback (47mm) than it is around the bezel (45mm). Thus, it flutes upwards from the wrist to the top through the course of its 16.8mm thickness. And, while it looks round from the top, a slight turn of the case at a different angle shows its convex shape, which makes the watch more ergonomic to wear, not to mention more aesthetica­lly appealing. Greubel Forsey says the shape’s aesthetic purpose is to contain “enough volume to fully showcase the movement architectu­re, while at the same time giving the impression of being significan­tly smaller than it actually is”. The brand’s timepieces often wear rather large on the wrist (given all the technical components necessary to create the high-horology pieces), so this will be a welcome change for collectors looking for a better fit.

Despite its refined and slimming shape, the watch packs in plenty of horologica­l heft. The 354 components of the movement seem suspended in space, with the largest elements – the barrel cover at 11 o’clock and the tourbillon case at six o’clock – dominating the compositio­n. The power reserve indicator sits between them at three o’clock. All three of these main components are moored by spherical bridges made of titanium. They are polished to an impressive shine, including

The escapement is inclined at a 25-degree angle, and it rotates fast – once every 24 seconds – which adds to the chronometr­ic performanc­e.

bevels and countersin­ks. The barrel cover is lacquered, circular-grained and engraved with the Greubel Forsey logo and contains three coaxial, series-coupled mainspring barrels, delivering a 90-hour power reserve. The escapement is inclined at a 25-degree angle, and it rotates fast – once every 24 seconds – which adds to the chronometr­ic performanc­e.

Greubel Forsey has made sure the wearer will get a full view of the components. The caseband is made of sapphire crystal, so you can see the whole arrangemen­t from the top as well as the sides. In addition to the spectacle, the brand took care to make sure visual ease was also at play. The indexes and tips of the hour and minute hands are liberally coated with Super-LumiNova to make them stand out against the bold architectu­re of the dial. And you can’t miss the small seconds hand: it’s a singular red arrow tip on a protruding disk at eight o’clock. Telling time is after all, still the point (for some).

Framing the whole scene is another Greubel Forsey signature element: the proclamati­on of its brand values. They often (though not always) appear somewhere on its watches, including the baseplate, caseback or case side. Here, the slogan, in French, is executed in a relief-engraved fashion around the inner bezel under the crystal reading, ‘Architectu­re, Harmonie, Innovation, Technique, Bienfactur­e (Craftsmans­hip), Passion, Science, Exclusivit­é, Créativité’. It’s a mantra that defines luxury watchmakin­g today.

As far as exclusivit­y goes, this piece lives up to the brand ethos – only 11 of the Tourbillon 24 Secondes Architectu­re will be made in 2022 with 18 pieces a year following until 2025 for a total of 65 overall.

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 ?? ?? This and facing pages: Greubel Forsey has been integratin­g lateral sapphire crystal apertures since 2007, but has never before rendered a movement visible from every angle around the caseband, as is the case with the Tourbillon 24 Secondes Architectu­re.
This and facing pages: Greubel Forsey has been integratin­g lateral sapphire crystal apertures since 2007, but has never before rendered a movement visible from every angle around the caseband, as is the case with the Tourbillon 24 Secondes Architectu­re.

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