Tatler Homes Singapore

ITALIAN FLAIR

Jean Wee, COO of Marquis Furniture Gallery, discusses the timeless appeal of Italian-made furniture and the company’s personalis­ed approach to retail

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Even after more than two decades in the business, Jean Wee’s enthusiasm for furniture has not wavered. A visit to the Salone del Mobile fair in Milan is an annual ritual for the COO of Marquis Furniture Gallery; Wee enjoys hand-picking pieces that the furniture retailer brings into Singapore. “I like to do the selection with my team; if you don’t participat­e, you don’t have a ‘feel’ for the furniture,” says Wee. “When we do the selection, we look at the size, colour, material and the profile of the designer; whether they are able to tell a story with their design.” Wee cut her teeth in the furnishing­s industry as an interior designer. “If you are a designer, you can look at the item and visualise it in a customer’s home, against certain wood panels that they may have so that you don’t select colours that only a few customers will take,” she explains. Bolstered by her decades of experience, the industry veteran and her team are able to differenti­ate trendy finds from pieces with perennial appeal. The retailer holds stock for limited pieces of its best-selling collection­s, which include the Minotti Hamilton sofa designed by Rodolfo Dordoni.

Besides Minotti, almost 80 per cent of the brands carried at Marquis Furniture Gallery are from Italy. These include Meridiani, Misuraemme, Porada and Visionnair­e, which have individual sections within the Marquis Qsquare complex. These elegant collection­s are complement­ed with a variety of Nordic brands at sister store Lifestorey at Dempsey; pieces that convey the minimalist and unfussy appeal of Scandi-chic. At Minotti’s new home at the Raffles Hotel Shopping Arcade, Wee speaks to us about the changes afoot in the industry and her future plans for the company:

In your opinion, what makes Italian furniture so unique?

Italian furniture tends to sit in nicely within a home and yet bring different settings together. We think the Italians are pretty unique in their way of designing. As you can see from the Minotti pieces, there are different shapes and it’s comfortabl­e; when customers look at pieces from Minotti, they can easily visualise them in their own home.

What inspired the decision to move Minotti to Raffles Hotel?

We were at Hill Street for 12 years; it’s a beautiful showroom but we wanted to have more space. It just happened to be the right timing to move. The Minotti design team came by with Rodolfo Dordoni and shared their vision of this showroom. From a retailer’s perspectiv­e, you talk about the square footage of the space. For them, it’s about what will the customers see when they walk in. Is there an element of surprise and does it meet their expectatio­ns? We have two different looks within the showroom: one section is a glass house which is very modern

and contempora­ry whereas the other has colonial-style detailing and a lower ceiling height of about three metres; after we moved in, we realised it’s quite homely and cosy. We worked closely with the Minotti home styling team, who recommende­d a selection of lighting and accessorie­s. As with a home, you need the finer touches like bedding, cushions, as well as books and scents that you put on the table. All these must come as a total look.

What’s one of the biggest industry changes you’ve witnessed in the last decade?

When we first started, we had to educate the consumer. Now it’s the reverse; with the internet, you’re just a fingertip away from all the informatio­n you need. As a retailer, we have to keep building our knowledge. The pace of providing informatio­n must be at the snap of your fingers.

What are your plans for the company in the future?

We sell from the brick-andmortar stores but we also have two companies, Marquis HNC and Marquis HQO, that do project management; client servicing with homeowners, architects and interior designers. We do the furniture selection together with them, sometimes even before the house is finished. For example, if a client likes outdoor furniture in a certain look, we can source for it worldwide. We have the capability to do that because of our knowhow; with so many years in the business, we understand what is best for the client. We’ve done projects in Singapore and the region, as we have to maximise our talents and seek new opportunit­ies. In China, Vietnam and Myanmar, people are becoming more affluent, they know exactly what is needed. For the recent trip to Milan, we had about three groups of customers with us; we brought them to the different brands to see the bigger picture. We do offer personalis­ed tours to bring our customers through the collection­s; it’s a very sincere way of doing things.

“ITALIAN FURNITURE TENDS TO SIT IN NICELY WITHIN A HOME AND YET BRING DIFFERENT SETTINGS TOGETHER. THEY’RE CLEAN-LINED AND THEY FUNCTION VERY WELL”

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 ??  ?? LEFT TO RIGHT The Tape cord outdoor armchair by Nendo, from Minotti; the Minotti pavilion at the recent Salone del Mobile fair in Milan; Jean Wee, COO of Marquis Furniture Gallery; outdoor furniture collection­s displayed at the new Minotti showroom at Raffles Hotel Arcade
LEFT TO RIGHT The Tape cord outdoor armchair by Nendo, from Minotti; the Minotti pavilion at the recent Salone del Mobile fair in Milan; Jean Wee, COO of Marquis Furniture Gallery; outdoor furniture collection­s displayed at the new Minotti showroom at Raffles Hotel Arcade

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