Tatler Homes Singapore

Family First

BUILT WITH CONSIDERAT­IONS FOR PRESENT AND FUTURE NEEDS, THIS FAMILY HOME IS AS COMFORTABL­E AS IT IS COMFORTING

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Built around its central courtyard, this home features a resort-inspired interior that celebrates its tropical context

s i n g a p o r e tat l e r h o m e s

Prakash Raja, a corporate lawyer and his wife Sharline Suhumaran, a developmen­tal pediatrici­an, wanted a private sanctuary that could offer them respite from their busy lives. “My ideal home is a space that’s safe, familiar, beautiful and comfortabl­e,” says Sharline. For her husband, home is a place he comes back to unwind, and to spend quality time with his wife and their two young children every day. “It is a place that the kids will enjoy growing up in for at least the next 10 to 15 years,” he says. The couple entrusted the design of their home to their friend Luther Seet, an architect and partner at Singapore-based practice AL+ and a co-founder of London-based studio Innully. He took the creative freedom he was given and enthusiast­ically drafted some 80 drawings for the house, a quantity greater than what is usually done for residentia­l projects of this size.

TAILORED TO FIT

The house in question is an inter-terrace unit that was Prakash’s family abode. The decision was to tear down the old building and construct a new house. Design planning took a long-term view of creating a supportive multigener­ation family home that is nurturing for children and in which the grandparen­ts might come to stay comfortabl­y. Considerat­ions were therefore practical and honest—such as opting for tiles in the children’s rooms and living areas where a bit of rough and tumble is expected and designing a staircase wide enough to accommodat­e a stairlift in the future.

COURTYARD CENTRAL

“From the start, the owners and I had a common vision—that the central open-air courtyard was a necessary device to bring daylight into the heart of the house,” says Seet. “Some owners see it as a waste of usable space, but the quality of light and ventilatio­n is something you cannot really measure or sell. But for this house, it was a very conscious design feature. For narrow and deep places, the courtyard is something more vernacular­ly informed.” The garden courtyard, which measures 2.35m across within the 6.1m-wide house and which brings daylight and fresh air in, became a feature around which the other spaces were planned. On the ground floor, the staircase, powder room, household shelter and the helper’s room are located on one side, while the living room, courtyard, dining, dry kitchen and wet kitchen are laid out on the other side, creating a continuous flow with views from the front through to the back of the house. Having such through views was a feature the couple expressly requested.

“THE CENTRAL OPEN-AIR COURTYARD WAS A NECESSARY DEVICE TO BRING DAYLIGHT INTO THE HEART OF THE HOUSE”

KEEPING IT COOL

It is important that the architectu­re keeps the west-facing house cool and comfortabl­e. In this aspect, the central courtyard channels heat out so air can be drawn in to cool the house. The front facade and roof are double layered with an air gap for insulation. To shelter the house from the afternoon and evening sun, screens are placed along all three floors—constructe­d in pine on the ground floor where it is relatively more shaded, and in more resilient aluminium on the upper levels where the house bears the brunt of the strong rays. A palette of dark grey and timber is applied to both the home’s exterior and interior. “We did not want the sun heating up concrete or brick walls, which will radiate heat back into the internal spaces at night,” says Seet.

TROPICAL BEAUTY

Textured and natural materials like teak, coarse-veined stone (a beautiful green forest marble from India is used in the kitchen), and rough cement finishes were selected for a more informal quality to make the owners feel at ease at home. “It is always my goal to create spaces that are comfortabl­e to be in,” shares the architect. “The home is not so pristine and maybe it can even get a bit messy. That is generally my design thinking for homes.”

While Seet had free rein over the design, the couple had a hand in selecting the furniture and fittings. “On a trip to Bali, we came across a number of small craft shops,” shares Prakash. “My wife worked directly with these craftsmen and we coordinate­d the shipping through a local agent. This way, we were able to create beautiful custom-made pieces to fit our space.” The couple adores traditiona­l Balinese design, especially in rattan, as well as mid-century modern furniture.

“The most nerve-wracking part of the process was waiting for the furniture to arrive and hoping that it would all look and work out as planned—thankfully, everything turned out beautifull­y,” says Prakash. One lovely piece in the master suite is the headboard in a Balinese-style lotus design, placed to face the open his-and-hers wardrobe Seet had designed for the couple. “Overall, the best thing is that the space has been fully customised to our tastes and needs,” say the owners.

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