Tatler Singapore

SLOW FOOD CANTONESE STYLE

In the heart of Foshan, one off-the-beaten-track restaurant is quietly reviving ancient Cantonese culinary traditions and almost-forgotten dishes. Janice Leung Hayes discovers its secrets

- Photograph­y PIM YANAPRASAR­T

MAKING HISTORY

Clockwise from above left: traditiona­l Cantonese teas are served at 102 House; sweet and sour pork with pickled young ginger; chef Xu Jingye; rice steamed in lotus leaf. Opposite: winter melon soup

In 2006, when xu jingye and yao min started 102 House, a one-table private kitchen focusing on Cantonese cuisine in the city of Foshan, about an hour west of Guangzhou, they looked to Hong Kong for knowledge and inspiratio­n. They decided to claim their venture as “fusion”—an experiment to blend Guangdong’s traditions with those of their plusher neighbour. “It was so-called creative cuisine,” recalls Xu. “But customers weren’t returning. We knew that what we were doing wasn’t right.” Looking to hone the recipes they were playing with, Xu found a sifu, or mentor—a man whose name Xu wouldn’t disclose, who has been a veteran of high-end Cantonese kitchens for decades. Under his guidance, he and his partner Yao, both in their thirties, began shifting their attention to Cantonese cuisine in its purest, oldest form. “Neither of us was born in the age where Cantonese cuisine was at its most glorious,” Xu says. “We never experience­d it, so our knowledge and understand­ing of Cantonese classics was the same as most other people, in that we didn’t know much about them. My sifu had worked in grand hotels in the 1960s and cooked dishes that I’d never seen or tasted before. He suggested that I start again and learn the fundamenta­ls of Cantonese cuisine.” Xu started digging up old recipes and cookbooks and began to try his hand at reproducin­g them. He made tiny coins of chicken minced by hand, served on top of pig skin to incorporat­e a little of the fattiness, designed to float in a milky, slow-cooked tonic soup of black chicken and almonds. He also steamed pigeon breast with shiitake that had been allowed to grow past its prime. “I would go straight to my sifu if there was something I didn’t understand and he would teach me, step by step. He

taught me how the dish should taste, what its true point of difference is and how to achieve it. In those early days, we really relied on him to help us find our bearings,” Xu says. “He made me understand what Cantonese food is really about. Cantonese food is clean, umami, crunchy, tender, smooth (‘qing, xian, shuang, nen, hua’), and you should achieve these qualities using the vegetables that nature provides through the seasons. When you fully understand these concepts, you’ll understand Cantonese food.” One of the eight culinary traditions of Chinese cuisine, Cantonese gastronomy is perhaps the country’s most internatio­nally recognised, given the high number of Cantonese emigrants the world over. Its style of cooking prefers braising, stewing and sauteing over the flash-fry method used in the cuisines of other Chinese regions, and incorporat­es sauces that tend to be sweet and thick, such as hoisin, plum and oyster sauces. It relies heavily on indigenous ingredient­s whose flavours are kept intact, as well as animals (or parts of them) that might sound unappetisi­ng to some but are tied to the times of hardship Cantonese people often endured in their history, and their ability to make art out of necessity, using snakes, goose webs, cockerel testicles, cow innards and pig shanks. Xu and Yao embraced all this almost to the letter, starting with the location of 102 House. By 2009, the pair had moved their private kitchen into an old residence in Foshan, in a quiet neighbourh­ood tucked behind hectic main thoroughfa­res. Like many Chinese cities, Foshan’s roads are choked with traffic and exploding with LED signage. But in this slim, three-storey house, automatic glass doors make way for a rustic wooden doorway, and the sound of honking car horns is replaced by soothing sounds of gentle trickling from the water

feature in the petite courtyard. “We hope that people who come here can slow down, take a breath and truly appreciate what we have to offer,” says Yao. Although they started with one table, these days they can accommodat­e three parties at once, although Xu is hesitant to expand beyond that. “When you have to serve too many tables, it’s very hard to keep the quality high and to do things in such detail. I like dishes that have a lot of finer aspects, so I’d rather serve fewer tables but keep fine-tuning the details,” he says. Such details are what makes 102 House remarkable. Xu and Yao source all their ingredient­s seasonally. In many instances, they would have spent months researchin­g them through old Chinese cookbooks. Rather than acquiring products by way of wet markets or online suppliers, they have built close relationsh­ips with the makers and traders of specific items they use in their dishes. “More than once, we would take up their excess stock just to show that we really wanted to work with them,” says Yao, mentioning as an example their regular fishmonger, who provides them with the best possible seafood. To Xu and Yao, sourcing locally is a no-brainer. When Xu says, “The shiitakes are from the north,” he means the northern border of Guangdong province. The story of Guangdong as a place is what they are trying to communicat­e, which, apart from historical context, also means showcasing the produce in the correct season. “When people [in China] talk about seasonalit­y, they often think about Japanese cuisine, but Chinese food is very seasonal—be it in Guangdong, Suzhou, Zhejiang, Beijing or Shandong. You wouldn’t get the same ingredient­s throughout the year, you wouldn’t use the same flavours all-year round, nor would you serve the same dishes.” He adds that while those in Hong Kong are lucky enough to have the world’s best ingredient­s shipped and flown in, the flavours of the region have fallen by the wayside. Xu says, “How I see it is that if you’re cooking Cantonese food, then you need Cantonese flavours, which would naturally come from Cantonese ingredient­s. I try my best to find things grown and made here. Of course even in the past, Cantonese food has used ingredient­s from abroad, and if these are things that have a history of working well in Cantonese cuisine, I’m happy to use them.” Most meals at 102 House are 11 to 13 courses, which change according to what Xu is able to get from his suppliers. On a summer menu, four out of 11 courses are soups. In Western cuisines, soups, apart from cold ones, are seen as winter foods, but to the Cantonese, soups are for all seasons, and liquids are particular­ly favoured for being less taxing on the body in the intense summer heat. Gourds such as winter melon are a classic summer vegetable, and at 102 House, it is made into a soup that uses similar ingredient­s to the imposing carved winter melon soup often seen at banquets. However, these individual bowls have a sense of majesty of their own, as each one is lined dramatical­ly with a large lotus leaf, making it look like a Medici collar. The winter melon is roughly pureed and combined with crab, chicken and lotus seeds as well as two flowers—lily and cowslip creeper, a native Chinese plant whose flowers are also called yexianghua, or “night fragrance flowers”. “My food is definitely rooted in tradition but I sometimes add my own ideas,” says Xu. “One of the things my sifu taught me is to think for myself and not blindly follow recipes. Just because you follow a recipe to a T doesn’t mean it’s right. Sometimes, I change things to create more complexity of flavour; other times it might be a matter of aesthetics. Aesthetics change with time, and the reference books I read are from a different time, so you can’t always follow them exactly.” Also featured in the summer is a deceptivel­y simple-looking dish of a few pearlescen­t orbs with few adornments including a branch laid elegantly on top. It turns out they are sauteed lychees stuffed with a smear of minced shrimp and fatty pork. Each mouthful bursts with the sweet juices of the fruit, which is almost too much until it is tempered by the little core of umami. From crunchy summer bamboo poached in stock to caramelise­d pineapple in their signature Foshan-style sweet and sour pork dish, and the cold lychee red tea served as dessert, every bite is designed to give the diner a taste of summer. “In Cantonese cuisine, seasonalit­y is especially important. It affects the order the dishes come during a banquet, which ingredient­s you choose, and how you change your balance of flavours—these are all aspects of eating that few people remember,” Xu says. “If you’ve ever been to a Cantonese-style wedding banquet, you’d know that there’s a certain order that dishes are expected in—cold appetisers to start followed by roast meats, soup, meat and vegetables in the middle, seafood towards the end, and plates of rice and noodles to round off the savoury dishes before dessert. At 102 House, things fall into the same pattern, but it’s not out of habit,” he continues. “In Cantonese fine dining, the order in which the dishes are presented should reflect the (choice of ) ingredient­s, the changes in the seasons and the balance of flavours.” On a winter evening, richer dishes like baked conch and roe from local crabs could be followed by a thick bird’s nest and chicken soup, which is a shift towards a lighter, palate-cleansing flavour. But the viscosity of the soup and choice of ingredient­s (chicken and bird’s nest are both seen as nourishing foods in Chinese medicine) mean that the heartiness required of winter sustenance is not forgotten. It is an approach to dining that can be compared to the concept of slow food in the West. And it is drawing crowds: 102 House has become a mecca of sorts among food enthusiast­s in the region, and Xu and Yao, hailed as rising hot shots in the reviving of old Cantonese culinary traditions, have been asked to host pop-up dinners both in Hong Kong and Singapore. Ultimately, it is reviving those traditions, more than flaunting their venture, that these young chefs are really interested in. “We knew we’d be doing [this project] for a while,” says Yao. “But we don’t have a goal for how long the restaurant should be around,” adds Xu. “Our main hope is that 102 House will help diners rediscover the allure of Cantonese food.”

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 ??  ?? TRADITIONA­L TOUCHES 102 House is tucked away inside an old residence in Foshan complete with traditiona­l details such as this lampshade and antique furniture (centre). Far right: a dish of crab and eggplant
TRADITIONA­L TOUCHES 102 House is tucked away inside an old residence in Foshan complete with traditiona­l details such as this lampshade and antique furniture (centre). Far right: a dish of crab and eggplant
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