Tatler Singapore

CREATIVE CONVICTION

Interior designer Ed Ong makes room for work and play in a shophouse his family is proud to call home

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At a time when travel opportunit­ies are scarce,

Ed Ong’s study continues to be a treasure trove of inspiratio­n. Situated on the first storey of a shophouse where the interior designer and his family have lived in for a decade, this workspace is for him to read and reflect; it’s also frequently a space where he meets his clients and guests.

The founder of Dwell Interior Design has kept a pared-down approach to the look of his home, in a way that stays true to his creative philosophy. “We didn’t go nostalgic with the design of this shophouse even though it’s a historic building; this reflects who I am. I believe in having strong, clean lines.” This minimalist scheme is reflected in the concrete screed walls that run the length of the shophouse, matched with dark

timber boards for flooring. These walls feature recesses that act as shelves to display awards, memorabili­a and practical items.

Ong remains hopeful about the year ahead. “We’ve managed to overcome most of these challenges with the support and understand­ing of both clients and vendors,” he says. “A designer must always know that he needs a team; we depend on hands that are not ours to fulfil the vision. Communicat­ion is key to both the relationsh­ip and to the successful execution of a project.”

My favourite nook in my home is … my study. I read a lot; I think a designer must always “feed” himself with things that he sees and experience­s. Books allow you to travel across time and get into the minds and perspectiv­es of others through both the visuals and words. I only buy a book if it makes me think and it’s able to spark new ideas. That explains the collection of books that I have that I constantly refer to, even during meetings.

A silver lining of 2020 is … we’ve learnt that with clear communicat­ion and clarity of thought, a lot can be achieved even without face-to-face meetings.

The Singapore design scene here has grown a lot over the

past 10 years. The establishe­d firms each have their own unique design language. We just have to be very clear about that, and always strive to be better in terms of design. For a young designer who wants to become wellknown to succeed, the willingnes­s to serve and learn would be the most important ingredient­s to have within you. Until today, I find myself still learning from clients.

In 2021 … the dream would be to do a road trip in New Zealand (if existing regulation­s allow).

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In interior designer Ed Ong’s house, the fountain next to the kitchen now serves as a display for design curios and found objects; Ong (pictured below) loves to collect vintage stationery such as antique staplers. Opposite page: Ong crafted the study as a calming zone to reflect and read in; the home office features black walls that contribute to the calming nature of the space
Clockwise from left: In interior designer Ed Ong’s house, the fountain next to the kitchen now serves as a display for design curios and found objects; Ong (pictured below) loves to collect vintage stationery such as antique staplers. Opposite page: Ong crafted the study as a calming zone to reflect and read in; the home office features black walls that contribute to the calming nature of the space
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