Ode to joy: How Austria shaped Beethoven’s Ninth Symphony
Vienna and Baden – the picturesque spa town outside the capital – played a big role in the composer’s life and compositions
THE night Ludwig van Beethoven’s monumental Ninth Symphony rang out in a Vienna concert hall for the first time almost exactly two centuries ago, the great German composer was anxious for all to go well.
He need not have worried. The audience erupted in spontaneous applause during the performance, but Beethoven was already so hard of hearing that he had to be turned around by a musician to notice it.
While he was born in Bonn in 1770, Beethoven spent most of his life in Vienna after moving to the Austrian capital as a 22-year-old. Despite receiving repeated offers to relocate, the legendary composer never left Vienna, where he had found his home from home, surrounded by fans and patrons.
“It was the society, the culture that characterised the city that appealed to him so much,” said Ulrike Scholda, director of the Beethoven House in nearby Baden. The picturesque spa town just outside Vienna deeply shaped Beethoven’s life – and the last symphony he would complete, she said.
“In the 1820s, Baden was certainly the place to be,” with the imperial family, the aristocracy and a Who’s Who of cultural life spending their summers there, Scholda explained.
Beyond his hearing loss, Beethoven suffered from various health problems ranging from abdominal pains to jaundice, and regularly went to Baden to recuperate. Enjoying long walks in the countryside and bathing in Baden’s medicinal springs helped him recover, while simultaneously inspiring his compositions.
In the summers leading up to the first public performance of his Ninth Symphony in 1824, Beethoven stayed at what is now known as Baden’s Beethoven House, which is now a museum. It was there that he also composed important parts of his final symphony.
A letter Beethoven sent from Baden in September 1823 details the pressure he felt to finalise the symphony to please the Philharmonic Society in London which had commissioned the work, Scholda said.
Upon completing the symphony in Vienna, weeks of intense preparations followed, including an army of copyists duplicating Beethoven’s manuscripts and last-minute rehearsals that culminated in the premiere on May 7, 1824.
The night before, Beethoven rushed from door to door by carriage to “personally invite important people to come to his concert”, said historical musicologist Birgit Lodes.
At almost double the length of comparable works, Beethoven’s Ninth broke the norms of what until then was a “solely orchestral” genre by “integrating the human voice and thus text”, musicologist Beate Angelika Kraus told AFP.
His revolutionary idea to incorporate parts of Friedrich von Schiller’s lyrical verse Ode to Joy paradoxically made his symphony more susceptible to misuse, including by the Nazis and the Communists. Since 1985, Beethoven’s Ode to Joy from the fourth movement has served as the European Union’s official anthem.
On Tuesday night, Beethoven’s masterpiece will reverberate throughout Europe with anniversary concerts in major venues in Paris, Milan and Vienna.