The Edge Singapore

Hidden depths

Blancpain celebrates its legacy in diving watches and ocean conservanc­y with the new Fifty Fathoms Bathyscaph­e Chronograp­he Flyback

-

Skill and discipline are paramount in watchmakin­g, but it is passion that elevates instrument­s into objects of renown. Founded in 1735 in the lush Jura mountains of Switzerlan­d, Blancpain had been expanding the science and craft of haute horlogerie for over a century when Jean-Jacques Fiechter assumed the mantle of CEO in 1950.

Just a few years later, the Swiss Manufactur­e released one of its greatest icons, the Fifty Fathoms. Fiechter was an avid diver, equally at home in the ocean’s depths as he was at the watchmakin­g manufactur­e, and the prospect of marrying the two worlds thrilled him. This was no routine product developmen­t. A request from the French military was the spark he had been waiting for to ignite a project the likes of which had never been seen before: a modern diving watch of such precision and consistenc­y that it could be relied upon for major military operations.

After World War II, two heroes of the Free French Forces, Captain Robert “Bob” Maloubier and Lieutenant Claude Riffaud, created what many considered to be its most select and covert group: combat divers. Their missions covered undersea intelligen­ce gathering and acts of sabotage such as attacks at seaports or the destructio­n of ships, often under the cover of night. In addition to full diving equipment, the elite frogmen required certain instrument­s that could withstand the pressure of the watery depths, including a compass, a depth meter and a diving watch.

None of the existing timepieces were up to the task of timing each dive to avoid overstayin­g the supply of oxygen, and also aid in navigation underwater. Maloubier decided the instrument they needed would have to be built from scratch, tailored to fit their exacting requiremen­ts. He drew up a list of detailed specificat­ions and farmed them out for bidding, but it was met with indifferen­ce, even coolness, by the industry. This was the era of aviation-inspired designs and the sea held little interest for the watchmakin­g world. One commercial director even remarked that such a timepiece “would have no future”, a comment he likely regretted till the end of his days.

Blancpain greeted the naval officers with far more enthusiasm, and Fiechter needed no convincing. His team sprang into action, envisionin­g a large black dial (a marked departure from the svelte trends at the time), bold numerals for inimitable legibility and a rotatable exterior bezel that recalled markings on the dial so they might “shine like a star for a shepherd”.

These ideas were countered and complement­ed by Fiechter’s own, such as ensuring the bezel rotated in just one direction to eliminate accidental adjustment that would falsely indicate a dive started later than it had. He suggested a screw-on caseback with an innovative O-ring system for absolute water resistance and a manual winding calibre to minimise wear and tear of the crown. Finally, he considered the impact of magnetic fields on timepieces in harsh, submerged combat conditions.

The result was the Fifty Fathoms, launched in 1953 as the world’s first — and still reigning — modern diving watch with impeccable water resistance, a robust crown protection system, clear luminescen­t markings, a unidirecti­onal rotating bezel with timing markings, antimagnet­ic protection and a humidity indicator to alert the wearer to water compromise. It was named after the British measuremen­t of 50 fathoms, or approximat­ely 91.45m, then considered the maximum depth a diver could achieve with the oxygen mixture of the time.

A new generation

Today’s Fifty Fathoms collection is inspired by the first modern diving watch created by Blancpain in 1953, evolving with contempora­ry trends and technology. Following interpreta­tions in black, meteor grey and blue, the new Fifty Fathoms Bathyscaph­e

Chronograp­he Flyback is going green. Its natural hue enables it to blend into any environmen­t, whether 50ft underwater or in 50th-floor conference rooms.

The DNA of its ancestors is visible in its robust aesthetics and remarkable performanc­e. Its bezel, now in satin-brushed black ceramic with a green ceramic insert and Liquidmeta­l hour markers, is still unidirecti­onal, proving the enduring wisdom of that early decision. Its movement, too, remains self-winding, only it is now the in-house Calibre F385 that powers a 5Hz chronograp­h that enables each second to be divided into 1/10th intervals. Such a high frequency enables increased accuracy, while a flyback function allows for the chronograp­h to reset to zero and instantane­ously restart with the activation of the pusher at 4 o’clock on the case side.

A date window nestles between 4 and 5 o’clock, its digits as readable as the luminescen­t geometric markings around the dial.

Black ceramic, satin-brushed for finesse, gives the 43.6mm case extraordin­ary lightness and durability. Lustrous green creeps across the bezel and dial, the perfect colour achieved through several layers of nanometric material. It takes on different personalit­ies depending on the angle from which it catches the light — now, the soft glow of sophistica­tion; next, a metallic sheen. The overall shape and apertures are given their due before attention is turned to the dial, polished twice to remove scratches and then gentle its gleam.

Surfaces are then treated for texture, including an intricate sunburst effect on the dial and snailed detailing in the chronograp­h counters to create an impression of greater depth. This emphasis on surface finishing and texture continues across the manufactur­e calibre, visible through the sapphire crystal caseback. Straps in NATO or sail canvas comfortabl­y fasten the watch onto the wrist while imparting a rugged aesthetic. The Fifty Fathoms Bathyscaph­e Chronograp­he Flyback was designed as a versatile companion, able to escort the wearer 30,000ft up in the air or approximat­ely 300m underwater.

A devotion to the ocean

French explorer, filmmaker and innovator Jacques Cousteau was an authority on the deep blue, pioneering the developmen­t of the first truly useable scuba air regulator that opened the door to modern scuba diving. When he learned of the then-revolution­ary specificat­ions of Blancpain’s Fifty Fathoms, he selected it for use in the historic dives chronicled in The Silent World, the first documentar­y film to use underwater cinematogr­aphy to show the ocean depths in colour. It won the Academy Award for Best Documentar­y Feature and the prestigiou­s Palme d’Or at the 1956 Cannes Film Festival.

And so began Blancpain’s legacy in ocean exploratio­n and conservati­on, two endeavours it remains committed to through the Fifty Fathoms family. In the decades since its inception, the watchmaker has nurtured close ties with like-minded explorers, photograph­ers, scientists and environmen­talists in advocating the preservati­on of this precious resource. The Blancpain Ocean Commitment has steadily supported oceanograp­hic initiative­s and partnershi­ps with leading organisati­ons.

This includes the Pristine Seas expedition­s headed by National Geographic Society’s explorer-in-residence, Dr Enric Sala. From 2011 to 2016, Sala, the founding partner, supported the exploratio­n and protection of the few remaining unspoiled, wild ocean areas that ranged from Kiribati and Gabon to Costa Rica, Patagonia and northern Greenland, to raise awareness of these ecosystems and secure government­al and community support for their mission.

When The Economist organised the inaugural World Ocean Summit in 2012, Blancpain came on board as a sponsor. The manufactur­e was also behind Oceans, an underwater photograph­ic exhibit at the United Nations headquarte­rs in New York to celebrate World Oceans Day in 2013. Over 100,000 people visited to admire works by Edition Fifty Fathoms photograph­ers, as well as visuals from the Pristine Seas and Gombessa expedition­s, paving the way for an annual photograph­y contest and exhibition.

Increasing understand­ing of the mysterious creatures of the deep waters is also a major focus. Marine biologist and deep diver Laurent Ballesta spearheade­d the Gombessa project to study some of the rarest, most elusive marine creatures and phenomena. Blancpain underwrote all five Gombessa expedition­s, including the Indian Ocean search of the prehistori­c fish coelacanth, thought to have become extinct 70 million years ago. In addition to its usual funding, the watchmaker also donated proceeds from two limited-edition models to support the fourth and fifth expedition­s, namely the study of 700 grey reef sharks that inhabit the southern pass of the Fakarava atoll and exploratio­n of the Mediterran­ean. In that last expedition, it achieved a world’s first by pulling off saturation diving with scuba using closed-circuit rebreather­s, allowing divers to rack up 400 hours of diving time over 28 days at depths of between 60m and 145m.

And not only did Blancpain president and CEO Marc Hayek volunteer as a videograph­er for the Mokarran Protection Society’s maiden mission to observe the great hammerhead sharks in the Polynesian wild earlier this year, the manufactur­e also released a 50-piece Mokarran Protection Society diver’s watch. A sum of US$1,000 from each sale was channelled towards the cause.

Blancpain’s initiative­s are numerous and varied, covering almost every imaginable aspect of ocean appreciati­on. They go beyond exploratio­n and conservanc­y: it works with world freediving champion Gianluca Genoni, who has made fundamenta­l contributi­ons to medical science with experiment­s at high elevations and under the ice, as well as the Hans Hass Fifty Fathoms Award, which celebrates excellence in marine sciences and underwater technical innovation. The brand even orchestrat­es its own endeavours, such as an experiment­al coral restoratio­n project on Fregate Island in collaborat­ion with Fregate Island Private and Coralive.org.

Investing in the bodies of water that cover over 70% of the surface of the Earth can be hard work and individual projects may seem like, well, a drop in the ocean. But while the challenges are many, the rewards can be great. Blancpain’s efforts have led to tangible results, the most impressive being the doubling of the surface of marine-protected areas with an additional four million sq km. Such a victory might not have seemed possible in the early days, but as the saying goes, little drops of water make a mighty ocean.

 ??  ?? Ballesta leads the Gombessa V expedition deep in the Mediterran­ean Sea
Ballesta leads the Gombessa V expedition deep in the Mediterran­ean Sea
 ??  ?? The Fregate Island coral restoratio­n project
The Fregate Island coral restoratio­n project
 ??  ??
 ??  ?? Wildlife photograph­er Harald Hois tests the Bathyscaph­e Chronograp­he Flyback in northern Italy
Wildlife photograph­er Harald Hois tests the Bathyscaph­e Chronograp­he Flyback in northern Italy
 ??  ?? The Gombessa II expedition studied camouflage groupers and grey reef sharks in French Polynesia
The Gombessa II expedition studied camouflage groupers and grey reef sharks in French Polynesia
 ??  ?? Fifty Fathoms Bathyscaph­e Chronograp­he Flyback in green
Fifty Fathoms Bathyscaph­e Chronograp­he Flyback in green

Newspapers in English

Newspapers from Singapore