The Peak (Singapore)

SHINING EXAMPLE

An understate­d icon of one of today’s top manufactur­es celebrates its half- century mark.

- TEXT LYNETTE KOH

What do the Parthenon, the works of the late Swiss architect Le Corbusier and the Patek Philippe Golden Ellipse wristwatch have in common? Their proportion­s were apparently inspired by the principles of the golden section – a ratio of approximat­ely 1 to 1.6180 – which was first discovered by mathematic­ians in ancient Greece and thought to be the foundation for harmonious­ly balanced design.

Little wonder then that Golden Ellipse fans, such as Michael Kwan, a senior adviser with Japanese trading giant Itochu, and Paris-based watch aficionado Dan Souffir, are all praise for the timepiece – which made waves with its distinctiv­e, rounded-rectangula­r form when it was launched in 1968. Kwan, who bought his yellow-gold, blue-dialled Ref. 3738/100J-012 in 2013, says: “It’s a very elegant watch, and an evergreen model that has been around for many years. I first saw a similar model back in the 1970s on a friend.”

Describing it as the “embodiment of horologica­l perfection”, Souffir enthusiast­ically recalls what it was like upon seeing a Golden Ellipse on the cover of a watch magazine in 2008: “It was love at first sight. I’ve always liked classical watches. The watch was classic and simple, and the shape was very original and harmonious.” Four years ago, at a Parisian pre-owned watch shop, he found a Golden Ellipse to call his own: Ref. 3548 from 1972.

While its fans swoon over its form, the creation of the Golden Ellipse was about more than just achieving mathematic­ally perfect proportion­s. As Nicholas

Foulkes wrote in Patek Philippe:

The Authorised Biography, the company sought to create a “readily identifiab­le” timepiece that could not be easily replicated industrial­ly, at a time when “advances in mass production meant that cheaply produced watches were able to imitate the appearance of luxury timepieces with ever greater facility”.

Aside from its unusual shape, that first yellow-gold timepiece stood out with other features, such as an 18K blue-gold dial. The watch was a big hit, spawning several iterations in the 1970s and early 1980s (see timeline), from jewellery versions to horizontal­ly oriented editions. In fact, there were 65 versions of the Golden Ellipse in the 1970s. It also became the first watch to spawn an entire accessory collection, including cufflinks, pendants, keychains and even solid-gold lighters.

While the Golden Ellipse has remained part of Patek Philippe’s core collection, it has in recent years taken a back seat to the brand’s more popular models such as the Nautilus and the Aquanaut – with a decade having passed since the launch of the last new Golden Ellipse in 2008. But with 2018 being the 50th-anniversar­y year of the Golden Ellipse, Patek Philippe’s second watch family (after the Calatrava) has been brought back into the spotlight with two beautiful new editions: Ref. 5738/50P-001, a 100-piece platinum limited edition, featuring an engraved white-gold and black-enamel dial; and Ref. 5738R001, a rose-gold model with a black dial. Measuring 39.5mm by 34.5mm, the watches share the “jumbo” proportion­s of a platinum limited edition launched in 2008. These novelties have fans rejoicing.

Says Souffir: “I simply love the new 5738R, with details like the deep colour of the ebony sunburst dial and the onyx cabochon on the crown, and how the size is more adapted to today’s standards. And although it is a bit more difficult to wear, the limited edition is a great work of craftsmans­hip. I’m thankful that this anniversar­y has enhanced the Golden Ellipse collection, which is so Patek, but which has been a little forgotten nowadays.”

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