MONTBLANC MINERVA CALIBRE 16.29
here is a logic to progress that is unflinching, almost ruthless in its efficiency. Making much more of something in shorter time, for much less, is an advantage that is very hard to pass up. For this reason, mass produced commodity is stamping out the niceties of artisan production everywhere. Yet, thanks to companies like Montblanc, industrial prowess is sometimes lent towards preserving precious pockets of artisan production so that future generations may yet wonder and actually acquire heritage objects of rare beauty.
Montblanc churns out timepieces by the tens of thousands a year from its facility at Le Locle. It also has a manufacture at Villeret (formerly Minerva SA before it was acquired by the Richemont Group in 2006 and turned over to Montblanc) that produces only around a couple of hundred timepieces a year – that’s about as many as possible, doing things the old way, everything inhouse, with classical tools and machines, largely by hand!
Minerva was best known for its chronographs, and the Calibre 16.29 that is used in the Montblanc 1858 Chronograph Tachymeter is a gorgeous sample of classical watchmaking. Based on a movement made by Minerva in the 1930s, the 16.29 is huge, filling up the 44mm watch case. There’s a column wheel, lateral coupling instead of vertical clutch favoured by its modern brethren, and the huge balance with weight screws oscillates at a stately 2.5Hz for maximum visual drama. But classical architecture is not the 16.29’s sole merit: lush finishing aside, the serpentine profile of its bridges and levers, including the signature devil’s tail of the chronograph hammer, makes many other chronograph movements look ungainly in comparison.
Hand-wound chronograph movement beating at 2.5Hz, with 50-hour power reserve Dimensions: 38.4mm diameter Number of parts: 252