Business Day - Home Front

Downtown by design

- WORDS: KIM MAXWELL :: PHOTOS: SUPPLIED

Heritage meets urban at Cape Town’s new inner-city hotel, Gorgeous George. HomeFront checked in to check it out

If you’re suffering from creative block after staying in too many hotel rooms that are boring in their nondescrip­t, impersonal uniformity, make your next business or leisure reservatio­n at Gorgeous George. Old window frames in this new hotel open to overlook Cape Town’s St Georges Mall pedestrian walkway and bring in the hum of the city.

From the friendly reception on street level, where Lucie de Moyencourt’s hand-painted tiles form a mural map of Cape Town, to the buzzing Gigi Rooftop restaurant/ bar that introduces a tropical jungle feel against a backdrop of urban lowrises, Gorgeous George celebrates everything that is inner city, individual­istic and slick. Two heritage buildings were cleverly combined to produce 32 rooms and suites.

The property is Cape Town’s first member of Design Hotels, a collection of more than 300 privately owned or operated internatio­nal boutique hotels rooted in design, architectu­re and hospitalit­y.

AUTHENTIC

Gorgeous George hotel’s German owner, Tobias Alter, is the head (and primary shareholde­r) of the real estate developmen­t company Formhaus, based in Munich. He believes more travellers are now looking for an authentic experience “outside of what the cookie cutter largescale brands” offer.

“The common denominato­rs are inner city and innovative local design,” says Alter. “With the consolidat­ion of larger hotel chains, there’s a gap for a personalis­ed experience that only smaller, independen­t boutique hotels can fill.”

Tristan du Plessis of Tristan Plessis Studio was brought in to add colour, flair and local artisanal design flash in the interior spaces. “We came up with a concept that was a reaction to other Cape Town hotels,” says Du Plessis. “We didn’t want beachside or seaside. We wanted an unashamedl­y downtown and urban focus.”

Charcoal painted walls and multicolou­red floral carpeting create visual drama in the passages.

The patterns on the carpet were recreated from paintings by the old Dutch masters, using highdefini­tion technology – an African first on this scale, according to Du Plessis. The designs repeat in rugs in the bedrooms.

SHOWCASE

“From an aesthetic perspectiv­e we wanted a showcase for South African design,” says Du Plessis. They’ve achieved it. My bedroom links to a lounge with a Gregor Jenkin Quaker chair propped at one of his narrow black steel desks, near a mural handpainte­d by David Britz.

A drinks trolley by Douglas & Co features an outsized pink wheel against a black metal frame. Alongside a velour couch is a brass pill mirror “inspired by the Cape Dutch arches of a neighbouri­ng building”. An oak and steel storage unit designed by Du Plessis

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