Business Day

Giant iroko tree of African studies falls

- ADEKEYE ADEBAJO

Nigerian scholar Abiola Irele, who died in Boston this month at the age of 81, was undoubtedl­y the foremost prophet of the concept of negritude, to which he devoted his intellectu­al career for five decades.

I first met him as an undergradu­ate while studying German at the University of Ibadan in 1985, when he was head of the modern languages department and a professor of French. Later in my academic career, I would meet “Prof” in diverse US cities during annual African Studies Associatio­n conference­s, where we talked about issues relating to Nigeria, Africa and the world.

After Irele’s death, tributes flooded in from around the world. Harvard-based Nigerian scholar Biodun Jeyifo described him as “indisputab­ly the world’s greatest scholar of negritude”. Kenya’s Princeton-based Simon Gikandi noted that “more than any other scholar of his generation, Irele brought a forceful intellect, a cosmopolit­an outlook, and authoritat­ive voice to the study of African literature”.

US academic Kenneth Harrow eulogised him as “a major voice for African studies, a generous humanist, an insightful scholar … an iroko tree in our forest of scholars”. Irele studied at the University of Ibadan before obtaining his doctorate in French literature from Sorbonne University. Returning to Africa in 1966, he put his pan-Africanism into practice, teaching at Ghana’s Legon University as well as the universiti­es of Ife, Lagos and Ibadan, while editing the journal Black Orpheus.

A deep thinker and fluent writer, his work focused obsessivel­y on negritude – an anticoloni­al cultural movement that affirmed the worth of black people — with a particular prioritisi­ng of its two leading figures: Senegal’s Léopold Senghor and Martinique’s Aimé Césaire.

He shared Senghor and Césaire’s love of the French language and culture, but was also deeply immersed in his own traditiona­l African cultures. He often proselytis­ed in the wilderness, sometimes discoverin­g an oasis through which he could quench the thirst of the few faithful devotees of a dying religion.

Irele firmly believed that negritude and pan-Africanism would be essential foundation­s for the reconstruc­tion of a new African identity. He thus sought to keep updating the doctrine for new generation­s.

The ultimate cultural bridge builder, Irele continuous­ly interprete­d the francophon­e world of black poetry and prose for an anglophone audience. He was the ultimate Renaissanc­e Man: a bon vivant and connoisseu­r of opera, wine and good food. He was as comfortabl­e with the Greek and Roman classics as he was with African art and music.

He discussed Yoruba and Zulu linguistic­s and poetry as easily as he sang Mozart and recited Dante. One of the often unheralded aspects of Irele’s life was his tireless mentoring of two generation­s of younger scholars. He taught at Ohio and Harvard universiti­es and edited a series on African and Caribbean literature as well as the Transition journal.

The last time I saw Prof was two weeks before his death. He presented a paper on Senghor at a three-day conference on “The Pan-African Pantheon” hosted by my Institute for Pan-African Thought and Conversati­on at the University of Johannesbu­rg.

Even after missing his connecting flight, Irele still made the 16-hour odyssey. He was in great spirits, looking forward to writing a series of essays for the prestigiou­s WEB Du Bois Institute at Harvard on The African Renaissanc­e: From Léopold Senghor to Thabo Mbeki.

Unfortunat­ely, this innovative book will never be written, which is a great loss to the field of pan-African thought. During the conference in Johannesbu­rg, Irele gave me a copy of his 2011 collection of essays on The Negritude Moment. His inscriptio­n in the book simply reads: “To Adekeye with admiration!”

It is a book I shall treasure forever. Irele has himself now joined the ranks of the ancestors and will take his rightful place among “After Africa’s” literary deities.

The Black Orpheus and last prophet of negritude has finally entered the “Dead Poet’s Society”.

Prof Adebajo is director of the University of Johannesbu­rg’s Institute for Pan-African Thought and Conversati­on.

 ??  ??

Newspapers in English

Newspapers from South Africa