Business Day

Fifteen books everyone should read in 2019

There is much to fret about on the Financial Times’s list of recommende­d reading, from thrillers to hefty critiques

- Frederick Studemann /Financial Times

There is a palpable mood of foreboding and anxiety around British bookshelve­s in 2019. From grim warnings about climate change and rising pollution; startling studies about the impact of demographi­c trends; and — of course — Brexit and all its possible meanings and results, there is a lot to fret about when looking down the list of what awaits readers in 2019.

But before anyone gets too miserable — and, besides, pessimism and alarm have long been a mainstay of the publishing industry — look at it another way: challengin­g times can also make for interestin­g, even great writing. Some of the biggest names in Englishlan­guage novel writing have looked to the big, often scary issues facing us and used them for their work. We are now seeing the results.

John Lanchester kicked off the year with The Wall ,a dystopian vision of Britain in the near future. It tells the story of young conscripts sent to guard a wall erected around Britain after a climate catastroph­e to keep out the “others”. Tapping the spirit of earlier generation­s of dystopian writing — Huxley, Orwell — it also looks unflinchin­gly at some of the biggest current problems. The Financial Times’s (FT’s) reviewer described it as Lanchester’s best novel yet.

An alternativ­e reality is also the preferred setting for Ian McEwan’s new book, Machines

Like Me, which is due out in April. It tackles the subject of artificial intelligen­ce in a Britain not quite like we know it (the Falklands war was lost; Margaret Thatcher battles Tony Benn for power).

Contempora­ry concerns sit at the heart of two muchantici­pated titles due out in March: the next instalment of Ali Smith’s Brexit quartet, Spring and Jeanette Winterson’s

Frankissst­ein, which promises to “breathe new life” into Mary Shelley’s great gothic horror through issues of identity, technology and sexuality.

Later in the year we will get new books from two great storytelle­rs, both of whom are well versed in dystopian tales: Margaret Atwood and Robert Harris. September sees the publicatio­n of Atwood’s The Testaments, the sequel to her 1985 novel The Handmaid’s

Tale, the chilling story of life in a totalitari­an US in which women are oppressed and violently abused that in the world of #MeToo has acquired renewed relevancy. The follow-up is, she has said, inspired by “the world we’ve been living in”.

The Second Sleep by Harris promises to take readers back to the Exmoor of the late 15th century and a world where faith is tested to destructio­n.

Thriller lovers will also be well-served in 2019. April brings Metropolis, the final book in the Bernie Gunther series of detective stories spanning Weimar Berlin, Nazi Germany and postwar Latin America written by Philip Kerr, who died in 2018. A month later, James Ellroy returns with This Storm which takes us back to 1940s Los Angeles and his familiar cast of corrupt cops, nasty mobsters and conflicted officials.

Back in the real — nonfiction — world, the great tech backlash continues as evidenced by two standout books that kicked off 2019. Shoshana Zuboff’s weighty Surveillan­ce

Capitalism directs a forensic eye at the economics of many of the titans of Silicon Valley, in particular Google, detailing how our data are monetised and the longer-term consequenc­es of this new form of capitalism for society. It is being talked of as a book on par with Thomas Piketty’s Capital in terms of how it might change the debate.

Meanwhile, in Zucked, Roger McNamee, a seasoned tech investor and early backer of Mark Zuckerberg, offers a scathing account of how he believes Silicon Valley and social media have lost their way. McNamee, who has since lent his support to activists lobbying to fundamenta­lly change the way the tech industry operates, says the time has come for more regulation.

Anand Giridharad­as also finds fault with the US’s broken system, particular­ly in its preferenti­al treatment of its wealthy elites. Winners Take All is an unsettling critique of the business of philanthro­py. As Edward Luce noted in his FT review: “In his view, we live in an age that enables the rich to keep more and more of their gains, many of them ill-gotten. Then we flatter them for money and advice.”

Raghuram Rajan, former governor of the Reserve Bank of India, also applies a sharp focus to the economics of how we got to where we are in his book The

Third Pillar, out in February, that seeks to explain how markets failed communitie­s.

For those keen to escape all the gloom, the nature writer Robert Macfarlane promises to take readers on an unusual journey in Underland, (out in April) an “epic exploratio­n” of the subterrane­an world. And for those who prefer the certaintie­s of the past to present woes, William Dalrymple’s history of the rise of the East India Company, The Anarchy, is due out in October.

One book that may — or may not — see the light of day in autumn is David Cameron’s political memoirs. Longpromis­ed, often delayed, it is the former UK prime minister’s account of his time in office and how and why we got to Brexit. While not formally billed as a dystopia, readers may choose to see it differentl­y.

GIRIDHARAD­AS FINDS FAULT WITH THE US’S BROKEN SYSTEM, PARTICULAR­LY IN ITS PREFERENTI­AL TREATMENT OF ITS WEALTHY ELITES

 ??  ?? Alternativ­e reality:British writer Ian McEwan during a lecture at the Hay Literary Festival in Cartagena, Spain. He tackles artificial intelligen­ce in his new book due out in April.
Alternativ­e reality:British writer Ian McEwan during a lecture at the Hay Literary Festival in Cartagena, Spain. He tackles artificial intelligen­ce in his new book due out in April.
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